Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
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Pleasures Of Music

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
 
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Reviews

A New Spin on the Old Chanson

On VINTAGE FRANCE, the classic French chanson is alive and hip in the hands of expert practitioners such as MADELEINE PEYROUX, JULIETTE GRECO and others.
by David McGee
 
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Gospel Feature

On the Gospel Highway’s Alternate Route

Between 1967 and 1977 Memphis-based DESIGNER RECORDS was focused on giving gospel artists a place to record their work for posterity, for $469.50.
by David McGee
 
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Departments

From Matt Monro With Love (and tears) on Valentine’s Day

Love songs of tears and joy for Valentine's Day and beyond, courtesy the late, great MATT MONRO, who was championed and produced by GEORGE MARTIN. A profile with music.
by David McGee
 
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Away Out There

NASA Mission Reveals Speed of Solar Wind Stripping Martian Atmosphere

NASA's MAVEN has produced data enabling researchers to determine the rate at which the Martian atmosphere is losing gas to space via solar wind.
by David McGee
 
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Classical Perspectives

Christopher O’Riley at the Top

CHRISTOPHER O'RILEY, host of NPR's popular 'From the Top,' offers his own bold takes on Liszt on his acclaimed new solo piano album, O'RILEY'S LISZT.
by David McGee
 
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Classical Perspectives

‘As long as you can look fearlessly at the sky, you’ll know you’re pure within’

Introduced on stage in 2005, James Whitbourn's Annelies, the first adaptation of Anne Frank's diary into a large-scale choral work, will at last be released on CD on Jan. 22. Here's our preview of the first important recording ...
by David McGee
 
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Spotlight Album

The Visible Invisible

Honoring LEONARDO DA VINCI on the 500th anniversary of his death, British music ensemble I FAGLIONI offers an eclectic recital evoking not so much the music of Leonardo's world but the emotional response to his work
by David McGee
 
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