The Haunting
For his fourth solo album, PETER COOPER ennobles the literate, poetic texts of ERIC TAYLOR on DEPOT…
Revisiting Dire Lullabies to Great Effect with Linda Ashman and Simona Mulazzani
LINDA ASHMAN's ROCK-A-BYE ROMP, with illustrations by SIMONA MUJAZZANI, is an early 2016 treat. Jules's review of same…
Border Patrol
On AMERICANO Classical guitar giant PABLO VILLEGAS ranges from Venezuela to Mexico, from Paraguay to the Bayou, from…
Roberta Martin, In Depth
At long last comes a biography of modern gospel music pioneer ROBERTA MARTIN. Her #1 living fan, Ronald…
Bob Marovich’s Gospel Picks
An awesome lineup of new gospel reviews from BOB MAROVICH, ranging from retrospectives of giants THE PILGRIM TRAVELERS…
Down the Road Apiece
'... at his deepest roots, it’s pretty clear that it’s never been about him, but about what passes…
First Stirrings of a New Duduk Master
ARSEN PETROSYAN is being hailed as the new torchbearer of Armenian duduk. On his debut album, CHARENTSAVAN: MUSIC…
TRACES
On IMPRINT, her first solo release since 1998, TERRE ROCHE offers songs quirky, funny, warm and tender. In…
The Mystery Endures
MELODY GARDOT's brilliant CURRENCY OF MAN, finds this unique artist on intimate terms with 'chaos at any moment.'…
Angels We Have Heard on High
DANCING DAY: MUSIC FOR CHRISTMAS, the last recording JOHN SCOTT made with the SAINT THOMAS CHOIR OF MEN…