New Version of Ukrainian Carol Supports Refugee Center

‘Now Our Minds Are One’: A Native American Thanksgiving Liturgy

A meaningful call-and-response prayer from the Haudenosaunee native tradition to give some persepctive on thanks and PRovidence this Thanksgiving Day.

by David McGee

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The Quiet Heroism of ‘Right Living’

Contributing editor MICHAEL SIGMAN reflects on the recent fall of 'self-appointed heroes' and the virtues of 'quietly going about one's business.'

by David McGee

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Seven Voices on ‘Seven Stanzas’

Our 2017 edition of 'Seven Voices on Seven Stanzas'--a septet of perspective on JOHN UPDIKE's famous poem 'Seven Stanzas at Easter

by David McGee

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‘Her Death is Akin To a Library Burning Down’

Remembering REGINA RESNIK, whose death on August 8 was, says FRED PLOTKIN, 'akin to a library burning to the ground.' A personal reminiscence of an amazing life ensues.

by David McGee

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Anonymous 4: The Exit Interview (Sort of)

An interview with ANONYMOUS 4's MARSHA GENENSKY (above) and SUSAN HELLAUER, reflecting on the Early Music quartet's groundbreaking career in this, its 30th and final year on stage and on disc.

by David McGee

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The Elite Half Hundred of 2015, Part 1

TONY BENNETT & BILL CHARLAP lead this year's Deep Roots Elite Half Hundred selections of 2015's top albums (excluding our Album of the Year selections). Part 1 covers the Top 25.

by David McGee

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Pt. 2: ‘God Rest Ye Merry, Gentlemen’ and The Dickens Connection

Ever wonder what is the Christmas carol of Dickens's 'A Christmas Carol'? Evidence points to 'God Rest Ye Merry Gentlemen' as the carol in question. We make our case herein.

by David McGee

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Turning 65 with ‘Crazy’

As his 65th birthday looms, contributing editor MICHAEL SIGMAN reflects on a classic song his father, CARL SIGMAN, wrote in 1949, 'Crazy He Calls Me.' It, like Michael, has led a charmed life.

by David McGee

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How to Win Charts and Alienate People

In this two-part excerpt from his memoir, JUST REMEMBER: FIELD NOTES FROM A MUSIC BIZ LIFE, MICHAEL SIGMAN recalls the fallout from Record World's decision to publish sales-based charts, and how The Who changed the magazine's f...

by David McGee

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