Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

The Secret Project

How do you explain the atomic bomb to children? JULES says a new book, THE SECRET PROJECT, by JONAH WINTER and JEANETTE WINTER, is 'a compelling introduction to this topic.' The first review is here.
by David McGee
 

 
 

American Tales

Two very American tales in JULES's spotlight: GITTEL'S JOURNEY: AN ELLIS ISLAND STORY, and HANDS UP, an affirmation of self-worth, an energizing, empowering celebration of family and community
by David McGee
 

 

 

Shirley Chisholm: ‘Always a Doer’

In SHIRLEY CHISHOLM IS A VERB! author VERONICA CHAMBERS and illustrator RACHELLE BAKER remember the first black woman elected to Congress and the first woman to make a serious bid for the Presidency. JULES has the inside scoop.
by David McGee
 

 
 

This Very Tree, The Survivor Tree & A Hundred Thousand Welcomes

On the 20th anniversary of the 9/11 attacks on America, our acclaimed kids' lit blogger, JULES, finds fresh perspectives for young readers in three new books, two specifically addressing the World Trade Center attacks, another ...
by David McGee
 

 

 

The Final Breakfast: 
Sophie Blackall on Farmhouse

JULES hosts her final Seven Impossible Things breakfast, with author SOPHIE BLACKALL who tells of a 'falling-down house' that yielded the unexpected treasures she ruminates on in FARMHOUSE.
by David McGee
 

 
 

My Beautiful Birds

In MY BEAUTIFUL BIRDS author SUZANNE DEL RIZZO addresses young readers with an instructive, very human tale about the plight of Syrian refugees, told from a young refugee's point of view.
by David McGee
 

 

 

Akiko Miyakoshi: Pure Magic

In this installment, JULES waxes properly rhapsodic about author-illustrator AKIKO MIYAKOSHI's new book, THE TEA PARTY IN THE WOODS: 'The visuals are pure magic.'
by David McGee
 

 
 

Marianne Dubuc and the Art of Silence

In her new book The Lion and The Bird, author-illustrator MARIANNE DUBUC invites young readers into her tale by means of 'interrupted silence, not rushing the story, letting it breathe.' JULES explains further.
by David McGee