A stomping groove, a steely, slice-and-dice guitar attack and a growling vocal greet listeners to CHRIS LORD & CHEATIN' RIVER's CHUNKABILLY BLUES, and this Seattle-based power trio never lets up from there.
A recently unveiled 45-year-old tape recorded in a tiny Milwaukee club in 1968 gives us a powerhouse live performance by MAGIC SAM in prime-time mode, both in voice and with his guitar, on LIVE AT THE AVANT GARDE.
Merciless as ever, and making paint peel from the walls with the heat of his guitar blitzkrieg, DUDLEY TAFT has made his third solo album, SCREAMING IN THE WIND, his most memorable.
GENE 'DADDY G' BARGE, saxophonist and vocalist par excellence, made his first record in 1955 and went on to accompany some of the greatest names in blues and soul. His new solo album, OLIO, demonstrates all his gifts in full.
A project some 10 years in the making, HANGTOWN DANCEHALL by ERIC BRACE and KARL STRAUB tells tales of the Gold Rush days of the late 1840s centered on two lovers who learned an enduring life lesson the hard way.
With her debut album IN THIS LIFE, ELISE TESTONE serves notice of being an artist pursuing a serious vision that has everything to do with substance and staying power. Later for 'American Idol' and the evanescent fame it offers.
On his new solo album, Soo, HABIB KOITE goes home to Mali and draws together all the strands of his life--music, friends, countrymen. 'It's where your life makes sense,' says Habib.
GREAT BIG WORLD contains simply too many inspired performances to be anything but a blessing, apart from it being one of TONY TRISCHKA's showcase moments as a banjo titan and band leader without peer.
KACEY JONES is a funny gal, but she's also a singer who can bring it all back home vocally. She reminds us of this repeatedly on her first new music album since 2006, AMEN FOR OLD FRIENDS, concerning those funny, family and so well remembered…