Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

‘Where Do I Start and Where Do You Begin?’

Hailing from Portland, Oregon, singer-songwriter HOLLY ANN has produced a deeply moving meditation on faith in her second album, LIGHT AND BLOOM. BOB MAROVICH provides the review.
by David McGee
 

 
 

Always Magic In the Air

Delmark has reissued BLACK MAGIC, the MAGIC SAM BLUES BAND's stellar followup to its acclaimed WEST SIDE STORY. Magic is indeed in the air.
by David McGee
 

 

 

Neon Deon

Teaming with producer BUDDY CANNON, the RANDY ROGERS BAND delivers the first outstanding country album of 2016, NOTHING SHINES LIKE NEON
by David McGee
 

 
 

The Haunting

For his fourth solo album, PETER COOPER ennobles the literate, poetic texts of ERIC TAYLOR on DEPOT LIGHT: THE SONGS OF ERIC TAYLOR--a career highlight for both artists.
by David McGee
 

 

 

Down the Road Apiece

'... at his deepest roots, it’s pretty clear that it’s never been about him, but about what passes through him.' BILLY ALTMAN comes to praise KEITH RICHARDS' new solo album.
by David McGee
 

 
 

TRACES

On IMPRINT, her first solo release since 1998, TERRE ROCHE offers songs quirky, funny, warm and tender. In true Roches fashion, larger truths are revealed between the lines and in odd phrasings.
by David McGee
 

 

 

The Mystery Endures

MELODY GARDOT's brilliant CURRENCY OF MAN, finds this unique artist on intimate terms with 'chaos at any moment.' Dark, but empathetic, the new CD is all that, and more.
by David McGee
 

 
 

Angels We Have Heard on High

DANCING DAY: MUSIC FOR CHRISTMAS, the last recording JOHN SCOTT made with the SAINT THOMAS CHOIR OF MEN & BOYS before his tragic death this past August, is a reverent seasonal classic.
by David McGee
 

 

 

The Big Land

Ever more ambitious, ALISON BROWN returns with THE SONG OF THE BANJO, with KEB' MO outstanding on 'What's Going On,' and our reviewer likening the instrumental portions to Smetana's 'The Moldau.' Really.
by David McGee