Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

American Graffiti @ 40: ‘…a final farewell to childhood dreams before reality steps in’

Saluting AMERICAN GRAFFITI on its 40th anniversary, we offer a view from the younger generation in the form of Australian THOMAS CALDWELL's smart take on the 1973 classic coming of age story.
by David McGee
 

 
 

‘I Always Thought SeaWorld Was a Happy Place’

An interview with documentary filmmaker GABRIELA COWPERTHWAITE on her eye opening documentary BLACKFISH about the mistreatment of Orcas in captivity.
by David McGee
 

 

 
 

It’s Got That Swing…: Alexandre Tharaud’s Swinging Paris Le Boeuf Sur le Toit

Recalling the glory days in the 1920s of the famed Paris nightspot Le Boeuf Sur le Toit, French classical pianist Alexandre Tharaud offers a program of material you might have heard in the club when it was sizzling, ranging fro...
by David McGee
 

 
 

Troy Sneed Keeps It Simple

Gospel singer, producer, choir leader and executive TROY SNEED may wear many hats in his world, but his watchword, as he explains to BOB MAROVICH, is to 'keep it simple.'
by David McGee
 

 

 

A Few Answers About ‘Answer Me’

'ANSWER ME, MY LOVE' is a classic pop song with a complicated history. CARL SIGMAN wrote the lyrics, and herein his son MICHAEL SIGMAN relates the tune's fascinating backstory.
by David McGee
 

 
 

The O’Hara Sisters’ ‘Dark Fairy Tale’ by Jules

Featuring HORTENSE AND THE SHADOW, 'a dark fairy tale' by NATALIE and LAUREN O'HARA, a writer-and-illustrator sister team with a new book inspired by stories told on snowy nights by their Polish grandmother.
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Female artists rule the day in BOB MAROVICH's latest Gospel picks of new albums by CHRYSANN MOORE, LATISHA JOHNSON MONTGOMERY, KATY CRAWFORD, GENETHEA WRIGHT, SAN FRANKLIN and SHALOM CHURCH & FRIENDS presemted by Dr. F. James C...
by David McGee
 

 
 

A Tortured Chronicle: Severn Documents Keats’s Last Days

As JOHN KEATS lay dying in 1821, he only companion was JOSEPH SEVERN, who in letters to the Keats circle chronicled the consumptive poet's torturous final days.
by David McGee