Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

‘I Just Can’t Let Us Forget’

Continuing her 'lifetime retrospective' project, RORY BLOCK pays glorious tribute to some outstanding female blues artists of yore, some undeservedly obscure..but no longer so.
by David McGee
 

 
 

Love Is a Many-Splintered Thing

Herein a dozen smokey, sensuous and often ambivalent discourses on love and passion delivered with the breathy tenderness and sublime understatement of someone defining love not as a many-splendored thing, but rather as a many-...
by David McGee
 

 

 

How to Win Charts and Alienate People

In this two-part excerpt from his memoir, JUST REMEMBER: FIELD NOTES FROM A MUSIC BIZ LIFE, MICHAEL SIGMAN recalls the fallout from Record World's decision to publish sales-based charts, and how The Who changed the magazine's f...
by David McGee
 

 
 

A New Spin on the Old Chanson

On VINTAGE FRANCE, the classic French chanson is alive and hip in the hands of expert practitioners such as MADELEINE PEYROUX, JULIETTE GRECO and others.
by David McGee
 

 

 

Rossini on Rossini, Byron on Rossini

From his 1886 book From Mozart to Marvio V1: Reminiscences of a Half Century, Louis Engel discloses the composer Giochino Rossini's slightly jaundiced view of his own legacy; in correspondence to two friends in 1818, Lord Byron...
by David McGee
 

 
 

Sovereignty Well Earned

You may think these fellows rather audacious in naming themselves Royal Southern Brotherhood, but when you see their lineup includes an Allman, a Neville and a Zito, well, good to see you, fellows. As that funnyman from Transyl...
by David McGee
 

 

 

The Blues Boss Goes Global

Paying tribute to MEMPHIS SLIM and WILLIE DIXON, KENNY 'BLUES BOSS' WAYNE, now 77 and better than ever, delivers on all fronts on his latest outing.
by David McGee
 

 
 

Pushing the Envelope of Nordic Jazz

The Karl Strømme Quintet is opening up new frontiers in Nordic jazz. The group's new album, DYNALYD, furthers the musicians' integration of other styles into the modern jazz tradition. A most pleasing sound it is.
by David McGee