Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Zoobiquity: Connecting Health In Animals And Humans

If you think animals and humans don't have the same problems, think again. BARBARA NATTERSON-HOROWITZ and KATHRYN BOWERS, co-authors of the best selling ZOOBIQUITY: THE ASTONISHING CONNECTION BETWEEN HUMAN AND ANIMAL HEALTH, d...
by David McGee
 

 
 

The Bassoon, In Search of Love

DANIEL SMITH enlists a stellar supporting cast and again proves the bassoon's viability as a lead instrument of great expressiveness on his new album, JAZZ SUITE FOR BASSOON
by David McGee
 

 

 

Condemned To Live (1935)

From 1935, CONDEMNED TO LIVE, a film sympathetic to vampires, and as a short subject from 1954, the Famous Studios anti-smoking cartoon, 'NO IFS, ANDS OR BUTTS,' starring Buzzy and Katnip.
by David McGee
 

 
 

Let Us Now Speak of, and to, Turbulent Times

Speak we now of, and to, turbulent times: two World Music gems address the world as it is: ANOURA, from Mali's Anansy Cissé, and SUCH TIMES by master U.K. singer-songwriter STEVE TILSTON.
by David McGee
 

 

 

Senza pedale ma con tanti colori

WITHOUT THE PEDAL BUT WITH PLENTY OF COLORS: in his self-penned essay the towering classical pianist András Schiff discusses the challenges and nuances of J.S. Bach's music poses for the contemporary musician.
by David McGee
 

 
 

The Quiet Heroism of ‘Right Living’

Contributing editor MICHAEL SIGMAN reflects on the recent fall of 'self-appointed heroes' and the virtues of 'quietly going about one's business.'
by David McGee
 

 

 

Leave Her To Heaven (1945)

Directed by John M. Stahl with vivid cinematography by Leon Shamroy, LEAVE HER TO HEAVEN, a 1945 film noir entry, features beautiful GENE TIERNEY at her most captivating.
by David McGee
 

 
 

Mighty Fine (The Best Albums of 2015)

Melody Gardot (Currency of Man), Anonymous 4 (1865), Benedictines of Mary (Easter at Ephesus), Jerry Lawson (Just a Mortal Man), Keith Richards (Crosseyed Heart) and Jeremiah Lockwood (Lockwood).
by David McGee