Protest Is Another Form of Love | Deep Roots Magazine

Bob Marovich’s Gospel Picks

Two extraordinary albums, one featuring prisoners at Parchman Prison, the other featuring largely Chicago gospel artists in intimate home settings

by David McGee

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Harpsichord In a New World

MAHAN ESFAHANI continues to break new ground for the harpsichord on his latest CD, TIME PRESENT AND TIME PAST. Review by ROBERT HUGILL.

by David McGee

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Christmas As He Knew It

JOHNNY CASH's CLASSIC CHRISTMAS ALBUM is a sampling from the three Yule albums the Man in Black recorded for Columbia Records. Family and faith are the major, moving themes here.

by David McGee

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Trump Gives Finger to Native Americans

Chief Red Cloud, late 1800s: 'They made us many promises, more than I can remember, but they never kept but one: they promised to take our land, and they took it.'

by David McGee

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A Timeless Work of Textural Electronic Beauty

Inspired by the natural beauty of his New Zealand homeland, composer RUDY ADRIAN's WOODLANDS offers a moving ambient impression of the wild forests and planted parks of Dunedin.

by David McGee

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Bob Marovich’s Gospel Picks — August 2013

Gospel CD reviews: ROBERT RANDOLPH AND THE FAMILY BAND, LISA PAGE BROOKS, WIN THOMPKINS & THE STOMPERS, SERVANTS OF PRAISE, TY TIBBETT, THE WARDLAW BROTHERS and KERSTEN STEVENS

by David McGee

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Bob Marovich’s Gospel Picks

Must-hear new gospel albums and singles, including new music from EARNEST PUGH

by David McGee

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Catch Them If You Can

THE BOXCARS' third album, Grammy-nominated IT'S JUST A ROAD, is the quintet's strongest amalgam yet of inspired covers and impressive original songs in a traditional bluegrass mode.

by David McGee

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