Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

‘I Suppose It’s Playing the Game That Counts’

During a tough year in which she lost three friends and her "pep" as a writer, WILLA CATHER unburdened herself to her younger brother. In the end she found a reason to believe.
by David McGee
 

 
 

Gospel News & Notes – September 2012

Remembering recently departed gospel notables Willa Ward-Royster of the Ward Singers, Gladys Beamon Gregory and Andre Lester Mobley; plus Trin-I-Tee 5:7 and Music World have parted ways.
by David McGee
 

 

 

‘Tis the Season To Be Rhonda

With four original songs, RHONDA VINCENT keeps Christmas well on her new Yuletide CD, CHRISTMAS TIME, featuring a moving vocal-and-piano 'Christmas Medley'
by David McGee
 

 
 

Gospel News & Notes – January 2013

Inez Andrews, the iconic songbird contralto for the Caravans from 1957 to 1962, whose solo recording of 'Lord, Don't Move My Mountain' was a major gospel and R&B hit, died on December 19, 2012. An appreciation of the gospel gre...
by David McGee
 

 

 

This American Yule

With conductor/artistic director HARRY CHRISTOPHERS at the helm, the HANDEL AND HAYDN SOCIETY offers a journey through traditional carols using American tunes.
by David McGee
 

 
 

The ‘Superhuman’ Voice of Pauline Viardot

Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
by David McGee
 

 

 

Make Way for Lucky Ducklings & Yu Byun’s ‘Diminutive Paradise’

JULES declares Eva Moore's LUCKY DUCKLINGS, illustrated by NANCY CARPENTER, to be one of 2013's great picture books, and introduces us to DREAM FRIENDS by an impressive debut artist, YOU BYUN.
by David McGee
 

 
 

‘Mission’ Accomplished

On her vaunted new album, Mission, CECILIA BARTOLI (this is her--really, it is) fashions the music of Agostino Steffani into a conceptual work brimming with passion, politics and intrigue. It is the opera great’s finest hour.
by David McGee