Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Of The Word, Dark Secrets and Inconvenient Truths

A review of gospel authority ANTHONY HEILBUT's new book of incisive, informed essays, The Fan Who Knew Too Much, which includes a lengthy examination of the gay subculture within the gospel world. Also: an interview with Mr. He...
by David McGee
 

 
 

A Search for Unity Within the Miraculous

Ireland's LOUTH CONTEMPORARY MUSIC SOCIETY has one of the year's most intriguing new releases in IN SEARCH OF THE MIRACULOUS, which mirrors George Gurdjieff's populist, pan-global approach to spiritual teaching.
by David McGee
 

 

 

Everything Old Is New Again

On CHRISTMAS, the platinum-plus Australian Christian artist PETER FURLER teams with Vintage Christmas aficionado DAVID IAN for a soothing, introspective, jazz-based seasonal rumination.
by David McGee
 

 
 

The Eternal Ache in Full, Glorious Flower

The timelessness of CARTER FAMILY songs is underscored in DON'T FORGET ME LITTLE DARLING, an homage by ANTIQUE PERSUASION, a trio of roots veterans that has made one of 2015's finest albums.
by David McGee
 

 

 

Keeping the Faith and Keeping It Well

Seasoned and undiminished soul and gospel veterans, JOHNNY RAWLS and OTIS CLAY, finally get together for a rousing outing on SOUL BROTHERS.
by David McGee
 

 
 

Tippi Hedren: Birds, Big Cats And Hitchcock

Actress TIPPI HEDREN had, at least, a complicated relationship with ALFRED HITCHCOCK, and for a few decades now has had a complicated relationship with big cats. A revealing interview by Duncan Strauss.
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Our gospel editor's picks include another stellar outing from PAUL THORN, the return of JENNIFER SHAW and a sweet collection of gospel violin from DANIEL D.
by David McGee
 

 
 

Anonymous 4: The Exit Interview (Sort of)

An interview with ANONYMOUS 4's MARSHA GENENSKY (above) and SUSAN HELLAUER, reflecting on the Early Music quartet's groundbreaking career in this, its 30th and final year on stage and on disc.
by David McGee