Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Seven Voices on ‘Seven Stanzas’: 2025 Edition

Our 14th installment of seven voices reflecting on the meaning of JOHN UPDIKE's poem, 'Seven Stanzas at Easter,' with musical interludes.
by David McGee
 

 
 

Discovering Something Outside the Realm of the Everyday

The album 'LOCKWOOD' and its author, JEREMIAH LOCKWOOD, are the genuine real deal. Behold timeless blues.
by David McGee
 

 

 

An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.
by David McGee
 

 
 

‘How Inexpressibly Sad Are All Holidays’

1863. HENRY WADSWORTH LONGFELLOW's wife had died in a fire, his son had been seriously wounded in the Civil War. The poet, in despair, still found a reason to believe and wrote the stanzas that later became a beloved seasonal s...
by David McGee
 

 

 

Time, Time, Time, See What’s Become of Me

What's better than one new DONNA HUGHES album? Answer: two new DONNA HUGHES albums. The gifted bluegrass singer-songwriter is back with FROM THE HEART and FLY. We appraise, and praise.
by David McGee
 

 
 

Summit Sessions: B.J. Thomas on Scepter

For those of a certain generation, the radio of their youth never seemed to be long without a new, great B.J. Thomas single. Indeed, between 1966 and 1972 he had 19 charting singles, some way bigger than others, some more regio...
by David McGee
 

 

 

The ‘Quiet Ecstasy’ of Harry Simeone’s ‘Little Drummer Boy’

The story behind THE HARRY SIMEONE CHORALE's classic 'THE LITTLE DRUMMER BOY' begins in 1941 with KATHERINE KENNICOTT DAVIS'S 'CAROL OF THE DRUM' and includes a classic Christmas album featuring the oft-covered seasonal favorite.
by David McGee
 

 
 

Let Us Now Praise Infamous Men

The pen and musicianship of the legendary JOHN MENDLESSOHN have brought us ISAMBARD JONES & HIS ORCHESTRA, wherein the absurdist meets the British Music Hall.
by David McGee