Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Extra-Savory Bluegrass

The finest in contemporary bluegrass is coming to you from Mobile, Alabama's DELTA REIGN. The band is back, following up its superb Calm Before the Storm with another top-notch outing, NOTHING BUT SKY.
by David McGee
 

 
 

My Own Field Trip

A field trip with her students to Hawaii's Hoa 'Aina O Makaha reminds TOUTKA WONGSE-ONT of some eternal truths about nature--strong, spontaneous feelings that nonliving things could not evoke.
by David McGee
 

 

 

Of Senses Engaged and Hearts Touched

Dig a fresh, imaginative take on some Brazilian evergreens--including three by ANTONIO CARLOS JOBIM--on the fascinating BRAZILIAN PROJECT by mesmerizing vocalist CATINA DELUNA and her LADO B band, featuring OTMARO RUIZ.
by David McGee
 

 
 

Bob Marovich’s Gospel Picks

A splendid septet of new gospel CDs reviewed by BOB MAROVICH, including new outpourings from JONATHAN MCREYNOLDS, KIM BURRELL, ALEXIS SPIGHT, EAGLE ROCK GOSPEL SINGERS, KEVIN RILEY, ZAVIEL JANAE.
by David McGee
 

 

 

Fanning the Flames of Whitman’s ‘Subtle Electric Fire’

Enlisting the support of some 64 musicians and choir/session singers, GARRY DIAL and DICK OATTS have delivered a stirring, jazz-oriented musical interpretation of Walt Whitman poems.
by David McGee
 

 
 

Genesis of a Gospel Song: ‘Total Praise’

In his new series GENESIS OF A GOSPEL SONG, gospel editor BOB MAROVICH gets the inside story from RICHARD SMALLWOOD on how the latter wrote 'Total Praise,' one of the greatest contemporary gospel songs.
by David McGee
 

 

 
 

Wasn’t That a Time?

In 1966 BOB DYLAN recorded BLONDE ON BLONDE in Nashville and the floodgates opened. A new double-CD collection documents some great music made in Nashville from the mid-'60s through the early '70s.
by David McGee
 

 
 

Quoth the Bard…

AL BASILE, one of contemporary music's most literate artists, reaches new heights of eloquence and musicality on B'S EXPRESSION, with production, for the 12th time, by DUKE ROBILLARD.
by David McGee