THE DEEP ROOTS ELITE HALF-HUNDRED of 2022

The 2012 Album of the Year Trifecta & The 2012 Elite Half Hundred

The Method to Our Madness: Why we picked three recordings as Album of the Year, and the unveiling of our first Elite Half Hundred keeper albums of 2012, topped by the GIVING TREE BAND's powerful Vacilador.

by David McGee

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Blues, Classical & Corky Siegel Ascendant

Blues harmonica master and skilled composer CORKY SIEGEL returns with his CHAMBER BLUES string quartet for a blues-classical romp on DIFFERENT VOICES..

by David McGee

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Remembering ‘The Undefeated Champion,’ Herman Johnson

In a Deep Roots exclusive, MARK O'CONNOR offers a warm reminiscence of one of his fiddling mentors, HERMAN JOHNSON, who passed away on Jan. 20 at age 94.

by David McGee

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Contemporary Music

During a four-month concert tour of America in 1928, composer MAURICE RAVEL delivered a then-controversial lecture urging American classical musicians to incorporate African-American music into their compositions. Ahead of his ...

by David McGee

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THE DEEP ROOTS ELITE HALF-HUNDRED of 2022

The Best of the Rest for 2022...winners all!

by David McGee

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You Can Go Home Again

MARK O'CONNOR. predictably unpredictable, returns as a member of a splendid roots band featuring his wife MAGGIE, his son FORREST and his son's fiancee, KATE LEE. It's a loving family affair.

by David McGee

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Bach by Thile (Not Thile Does Bach)

It was inevitable: after flirting with Bach for his entire professional career, CHRIS THILE has released a solo album of the Baroque giant's Sonatas & Partitas. Reviewer CHRSITINE N. LAYTON hails it as a big winner.

by David McGee

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In Heavy Rotation: Roots & Blues

Rounding up a quartet of must-hear recent releases: NORMAN BLAKE, Day by Day; MARK O'CONNOR, Markology II; MIKE ZITO, Resurrection; and TIFFANY POLLACK, Bayou Liberty.

by David McGee

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Out of Nowhere, Making a Joyful, and Most Memorable, Noise

Out of St. Louis and in the spirit of The Goat Rodeo Sessions, The Punch Brothers and Mark O'Connor, The 442s have made a joyful, and most memorable, noise on their debut album.

by David McGee

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