Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
Recent Articles
 

 

Bob Marovich’s Gospel Picks

Our gospel editor's picks include another stellar outing from PAUL THORN, the return of JENNIFER SHAW and a sweet collection of gospel violin from DANIEL D.
by David McGee
 

 
 

Transcending Avant-Garde Boundaries

On the rediscovered gem Bílé Inferno, Czech artists Iva Bittová and Vladimír Václavek transcend the avant-garde with music emanating from physical and emotional ecosystems.
by David McGee
 

 

 

A Timeless Work of Textural Electronic Beauty

Inspired by the natural beauty of his New Zealand homeland, composer RUDY ADRIAN's WOODLANDS offers a moving ambient impression of the wild forests and planted parks of Dunedin.
by David McGee
 

 
 

Enter, And Feel the Spirit

Soaring emotions and exquisite quartet harmonizing abound on TRAVELIN' SHOES, a foray into southern gospel (with a stop along the way at western gospel!) by the redoubtable MARLEY'S GHOST
by David McGee
 

 

 

Winter in Verse

Shakespeare, Keats, Robert Burns, Thomas Campion and Robert Frost reflect on the modds of winter. Plus seasonal-oriented cartoons starring Mickey Mouse and friends and Woody Woodpecker. Bing Crosby makes an appearance too.
by David McGee
 

 
 

The 2012 Album of the Year Trifecta & The 2012 Elite Half Hundred

The Method to Our Madness: Why we picked three recordings as Album of the Year, and the unveiling of our first Elite Half Hundred keeper albums of 2012, topped by the GIVING TREE BAND's powerful Vacilador.
by David McGee
 

 

 

Lara St. John and Friends Do Schubert Right

The talented eccentric, LARA ST. JOHN, is back with a group of formidable friends with a 'Schubertiade,' an exciting exploration of 15 tunes written by Schubert and scintillatingly rendered on disc.
by David McGee
 

 
 

The Man In Black, In All Dimensions

In this the 80th year of JOHNNY CASH’s birth, Columbia/Legacy is celebrating with five new collections of vintage and previously unreleased Cash music that pretty much cover the waterfront of the Man in Black’s aesthetic.
by David McGee