Deep Roots Magazine - Roots Music and Meaningful Matters

Shakespeare, In Concept

CLARA SANABRAS has adapted SHAKESPEARE'S 'THE TEMPEST' into an operatic production and, now, a concept album with Britten Sinfonia and others. It's a beauty. ROBERT HUGILL reviews.

by David McGee

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Bob Marovich’s Gospel Picks

New picks include: HEAL: SONGS OF HOPE FOR OUR NATION, a reissue of DEE DEE SHARP's SONGS OF FAITH, and outstanding new releases by VaShawn Mitchell, Anthony Faulkner, Monae Miller, et al.

by David McGee

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THE TURNING POINT (1952)

WILLIAM DIETERLE directs this fine early '50s film noir starring WILLIAM HOLDEN, EDMOND O'BRIEN, ED BEGLEY and ALEXIS SMITH and L.A.'s Bunker Hill section. SHORT SUBJECT: DISNEY's 'TRICK OR TREAT.'

by David McGee

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The Mythic Weight Of Phil Spector’s Christmas Gift: A Semicentennial Reflection

November 22, 1963, was a horrible day for the nation, and for PHIL SPECTOR, a personal disaster as well, as his ambitious Christmas album arrived and was promptly forgotten. A semicentennial look back ensues.

by David McGee

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Bob Marovich’s Gospel Picks – May 2013

Gospel Picks include new CDs by MARICA CHISOLM, SHERREE BROWN, THE CATHEDRAL OF PRAISE CHOIR, ALEXIS SPIGHT, CARL LAVON, MUYIWA & RIVERSONGZ, DANIELLE KELLEY

by David McGee

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For That Man In the Booth, the One With a Woman on Each Arm…

Apart from interviewing Albert King in 1978 upon the release of his New Orleans Heat album on the Tomato label, where he was continuing the roll he had enjoyed during the previous five years on Stax, my enduring memories of thi...

by David McGee

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Saturn’s Rings in Daylight, On the Night Side

A spectacular view of Saturn's rings as photographed from the planet's nightside by the Cassini spacecraft on the Cassini Solstice Mission.

by David McGee

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The End of the ’60s? Where Do I Begin…

In this installment of his forthcoming memoirs, contributing editor MICHAEL SIGMAN lands a full-time job at RECORD WORLD right out of college, at the very moment sure signals of the '60s' end could not be ignored.

by David McGee

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