Celebrating the Stanford Centenary

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.

by David McGee

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Beauty, Ease and Contemplation in Equal Measure

Beautiful and moving, this recording of song cycles by JONATHAN DOVE, rendered with sensitivity and passion by MARY WHATELY, draws on poems by the likes of EDNA ST. VINCENT MILLAY.

by David McGee

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Magnificent Original

Conductor VLADIMIR JUROWSKI leads the State Academic Orchestra of Russia through a memorable performance of TCHAIKOVSKY's 1877 version of SWAN LAKE.

by David McGee

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The Right Touch

FLORENCE PRICE and MAX BRUCH violin concertos memorably interpreted by RANDALL GOOSBY, YANNICK NEZET-SEGUIN and the PHILADELPHIA ORCHESTRA

by David McGee

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An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.

by David McGee

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‘Less Common is a Bach Album Like This’

CHRIS THILE, YO-YO MA and EDGAR MEYER honor the source yet bring a healthy non-classical pedigree to 17 Bach compositions on BACH TRIOS

by David McGee

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Blustery Days? Only Enchantment Here.

Enchanted Places: The Complete Fraser-Simpson Settings of A.A. Milne, joins the burgeoning portfolio of Milne poems set to music.

by David McGee

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‘Song is Central to the Irish Imagination’

Their 2016 debut album was an international hit, and the CHORAL SCHOLARS OF UNIVERSITY COLLEGE DUBLIN are back with another stellar rendering of Irish song in PERPETUAL TWILIGHT

by David McGee

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