Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Classical Perspectives

To Fresh Buds

Navona Records has issued a complete disc of composer GREGORY W. BROWN's music on MOONSTRUNG AIR, performed by NEW YORK POLYPHONY and THE CROSSING.
by David McGee
 
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Classical Perspectives

Melody and Drama from a Baroque Master

As part of CECILIA BARTOLI's Steffani Project, I BAROCCHISTI, under the direction of DIEGO FASOLIS, has recorded 'a first-class collection of instrumental suites and movements from Agosto Steffani's operas, DANZE E OUVETURES. P...
by David McGee
 
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Classical Perspectives

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 
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Classical Perspectives

The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.
by David McGee
 
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Classical Perspectives

When Tonality Means a Journey

Bernard Hughes music is both satisfying and challenging to sing, as well as being rewarding for both singer and audience. PRECIOUS THINGS, by the EPIPHONI CONSORT, is a case in point.
by David McGee
 
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Classical Perspectives

Nature as The Ultimate Matchmaker

THE NORTH WIND WAS A WOMAN, comprised of three intriguing chamber works by DAVID BRUCE, features stirring mandolin work by AVI AVITAL. Review by ROBERT HUGILL.
by David McGee
 
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Classical Perspectives

The Warmth of Arctic Saxophone

Haunting and beautiful, ARCTIC SAXOPHONE, by Norway's Ola Asdahl Rokkones, is an unforgettable experience.
by David McGee
 
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Classical Perspectives

Catherine (of Aragon) and Henry (VIII) Dancing? Imagine!

The ROSE CONSORT OF VIOLS, with mezzo-soprano CLARE WILKINSON, are dazzling on a new disc of music drawn from some of the earliest manuscripts surviving from the turn of the 16th Century.
by David McGee
 
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