Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Last Chants

Hardcore drummer/photographer JASON HAMACHER discusses a journey that took him on a years-long quest to find and record some of the world’s oldest yet least known liturgical music, in a country that eventually devolved into c...
by David McGee
 

 
 

Let Us Now Speak of, and to, Turbulent Times

Speak we now of, and to, turbulent times: two World Music gems address the world as it is: ANOURA, from Mali's Anansy Cissé, and SUCH TIMES by master U.K. singer-songwriter STEVE TILSTON.
by David McGee
 

 

 

Manhu: Last Guardians of an Ancient Tradition

MANHU, a quintet from the Yunnan province in Southwest China, are guardians of an ancient but living musical tradition. In the scintillating VOICES OF THE SANI, they offer unique insight into the music of the vanishing Sani cul...
by David McGee
 

 
 

The Past and the Future Power of West African Rock

Mali's BASSEKOU KOUYATÉ & NGONI BA reach electrifying heights on BA POWER, on which Kouyaté’ continues exploring 21st Century possibilities of the ancient ngnoi lute.
by David McGee
 

 

 

Light In Shadow

An interview with SHULAMITT OTTOLENGHI about the 10-year journey that produced her powerful new CD, FOR YOU THE SUN WILL SHINE: SONGS OF WOMEN OF THE SHOAH
by David McGee
 

 
 

The String and The Source

On Néo, KAORU WATANABE celebrates 'going upward, connecting to the divine...the unity that binds us to something greater.' It's the master Taiko multi-instrumentalist/composer's finest hour.
by David McGee
 

 

 

Monoswezi: Experimentation is The Order of The Day

Shanu quite simply means “Five” in the Shona language of Zimbabwe, home to MONOSWEZI's lead vocalist and mbira player HOPE MASIKE. This, their fifth album, is the most adventurous to date from the lineup representing four n...
by David McGee
 

 
 

From Senegal to Many Ports of Call

Senegalese singer-songwriter-guitarist NURU KANE has released his most ambitious work yet, EXILE, described by our reviewer as 'an eclectic, franco-african-diasporic fusion album.."
by David McGee