Mendelssohn’s ‘Hymn of Praise’

GEORGE P. UPTON examines the life of FELIX MENDELSSOHN and the story behind the great composer's Symphony No. 2 ('Hymn of Praise').
by David McGee
 

 
 

Rossini on Rossini, Byron on Rossini

From his 1886 book From Mozart to Marvio V1: Reminiscences of a Half Century, Louis Engel discloses the composer Giochino Rossini's slightly jaundiced view of his own legacy; in correspondence to two friends in 1818, Lord Byron...
by David McGee
 

 

 

Musical Memories

From his MUSICAL MEMORIES memoir, CAMILLE SAINT-SAENS reflects on the legacy and standing of his Romantic-era contemporary, M. JULES MASSENET
by David McGee
 

 
 

A Day With Robert Schumann

IN this month's PLEASURES OF MUSIC, an 1884 report by May Byron on A DAY WITH ROBERT SCHUMANN. In this account, the author chronicles a day spent with the arch-Romantic composer, which includes some vivid scenes with Schumann's...
by David McGee
 

 

 

‘Unaccountably Odd’

'Unaccountably Odd': a musical and sexual adventurer, possibly a racist, and a composer ahead of his time, PERCY GRAINGER led a most unusual life, and now lives on in a new album by the BILDER DUO. A reconsideration is in order.
by David McGee
 

 
 

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
 

 

 

Fisk Jubilee Singers: From Whipping Post to Throne Room

The early struggles and ultimate triumph of the FISK JUBILEE SINGERS, as reported by JAMES M. TROTTER in his 1878 book profiling 'remarkable musicians of the colored race.' '
by David McGee
 

 
 

The Fisk Jubilee Singers: Working On a Building

In 1871 the JUBILEE SINGERS of Nashville toured the northern states in hopes of raising funds to build a college. Bucking daunting odds against them, they succeeded and made Fisk University possible.
by David McGee
 

 

 

The Strange Adventures and Alluring Music of Alessandro Stradella

An exhaustive appreciation of Alessandro Stradella, one of the most enigmatic, colorful and gifted composers of the 17th Century, from whom Handel borrowed for Israel in Egypt and whose amorous inclinations led to his assassina...
by David McGee
 

 
 

The ‘Superhuman’ Voice of Pauline Viardot

Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
by David McGee
 

 

 

Music a Remedy

In his monumental ANATOMY OF MELANCHOLY, published in 1621, ROBERT BURTON argued for, among other things, music as a remedy for melancholy. It might work.
by David McGee
 

 
 

Chopin a National Poet

FRÉDÉRIC CHOPIN a National Poet? FRANZ LISZT thought so, and explained why in an 1852 essay that begat a biography of the great Romantic composer.
by David McGee