Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Overqualified?

Feeling boxed in and in need of new challenges at age 30, LEONARDO DA VINCI relocated from his native Florence to Milan, and promptly wrote to the Duke of Milan, touting 'certain of my secrets' he felt the Duke would find usefu...
by David McGee
 

 
 

Marvin Gaye Sings a Christmas Song

The story behind MARVIN GAYE's 'I Want to Come Home for Christmas,' a Vietnam Vet's appeal.
by David McGee
 

 

 

Make Way for Lucky Ducklings & Yu Byun’s ‘Diminutive Paradise’

JULES declares Eva Moore's LUCKY DUCKLINGS, illustrated by NANCY CARPENTER, to be one of 2013's great picture books, and introduces us to DREAM FRIENDS by an impressive debut artist, YOU BYUN.
by David McGee
 

 
 

Talking Animals: Feral, And a Friend of Animals

She's 30 years into her Presidency of FRIENDS OF ANIMALS, an international animal advocacy organization, and her name really is PRISCILLA FERAL. 'I'm wired for this kind of confrontational work,' she says.
by David McGee
 

 

 

Balancing Cultures & Traditions

On his third album, Israeli artist SANGRIT continues to advance his multicultural global message.
by David McGee
 

 
 

On Dawning, Saffron Engages East and West In Service to Rumi’s Impassioned Insights

On Dawning, its new album, Saffron engages East and West in service to the Persian Sufi poet Rumi's impassioned insights. World music at its most moving, this.
by David McGee
 

 

 

Harpsichord In a New World

MAHAN ESFAHANI continues to break new ground for the harpsichord on his latest CD, TIME PRESENT AND TIME PAST. Review by ROBERT HUGILL.
by David McGee
 

 
 

The Coolest Yule

The Uptown Vocal Jazz Quartet's first seasonal outpouring, FOOLS FOR YULE, offers some bracing surprises in its mix of original songs and classic holiday fare.
by David McGee
 

 

 

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee