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Classical Perspectives - Deep Roots Magazine - Page 4

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Classical Perspectives

An Influential Recording Returns, And Then Some

Under the direction of JOHN RUTTER, the CAMBRIDGE SINGERS bring fresh vitality to works by SIR CHARLES VILLIERS STANFORD and HERBERT HOWELLS in an expanded reissue of a 1992 classic, STANFORD AND HOWELLS REMEMBERED.
by David McGee
 
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Classical Perspectives

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 
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Classical Perspectives

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 
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Classical Perspectives

Nature as The Ultimate Matchmaker

THE NORTH WIND WAS A WOMAN, comprised of three intriguing chamber works by DAVID BRUCE, features stirring mandolin work by AVI AVITAL. Review by ROBERT HUGILL.
by David McGee
 
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Classical Perspectives

France’s Ever-Visceral Harpsichord Legacy

'These are not performances that conjure ghosts of the past: harpsichordist ADAM PEARL reveals that this music lives as viscerally today as it did two-and-a-half centuries ago.
by David McGee
 
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Classical Perspectives

Magnificent Original

Conductor VLADIMIR JUROWSKI leads the State Academic Orchestra of Russia through a memorable performance of TCHAIKOVSKY's 1877 version of SWAN LAKE.
by David McGee
 
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Classical Perspectives

‘Song is Central to the Irish Imagination’

Their 2016 debut album was an international hit, and the CHORAL SCHOLARS OF UNIVERSITY COLLEGE DUBLIN are back with another stellar rendering of Irish song in PERPETUAL TWILIGHT
by David McGee
 
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Classical Perspectives

Of Love, Loss, Chivalry & Memory

Christine de Pisan, whose work touched on every aspect of courtly life, from romantic poetry to military strategy and feminist critiques of the position of women in society, has inspired Blondel's new work of late Medieval wind...
by David McGee
 
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Classical Perspectives

Young Mozart, Poised to Beguile Georgian Society

When eight-year-old Wolfgang Amadeus Mozart arrived in London in 1764, he was, according to JOSEPH NEWSOME, 'poised to beguile the music-loving denizens of Georgian society.' A new album, MOZART IN LONDON, captures that moment.
by David McGee
 
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