Deep Roots Magazine - Roots Music and Meaningful Matters

Gospel News & Notes – January 2013

Inez Andrews, the iconic songbird contralto for the Caravans from 1957 to 1962, whose solo recording of 'Lord, Don't Move My Mountain' was a major gospel and R&B hit, died on December 19, 2012. An appreciation of the gospel gre...

by David McGee

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Bob Marovich’s Gospel Picks

BOB MAROVICH's new gospel picks include a new album by one of the great vocal finds of recent years, LIZ VICE, along with CDs by YANCY AND FRIENDS, KATHERINE BURTON, DEWAYNE WOODS, et al.

by David McGee

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Sustainable Agriculture News: Urban Farming Taking Hold

BALTIMORE, CHICAGO and NASHVILLE are embracing urban farming in a big way, and out in California, the UC Riverside 'Grow Riverside' Conference is trying to encourage the movement in the Golden State.

by David McGee

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‘The Cry of Anguished Protest, The First of Many Wrought From Me’

From The Bluegrass Special archives: an updated feature on the enigma that was the late BEVERLY KENNEY: Her voice was soft and cool, her eyes were clear and bright, but she's not there.

by David McGee

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Bob Durst, Camp Counselor

MICHAEL SIGMAN remembers an odd summer camp season in 1964 when his camp counselor was an odd duck named BOB DURST, now an infamous accused murderer.

by David McGee

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Singing Little, but Saying Oh So Much

In Newfoundlanders DUANE ANDREWS and CRAIG YOUNG the guitar duo is alive and well, even more so than the ivory-billed woodpecker, and their CHARLIE'S BOOGIE album is the undeniable proof.

by David McGee

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‘Perhaps the Richest Body of Stories by Any North American Writer of His Generation’

THE LIBRARY OF AMERICA is publishing a two-volume set of John Updike's Collected Stories. CHRISTOPHER CARDUFF, the estate-appointed editor of Updike's posthumous publications, discusses the project.

by David McGee

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And The Truth Will Set You Free

JAMES KING, one of our greatest roots singers, takes some classic and relatively low-profile country and bluegrass tunes, puts a great backing band together, and delivers a bonafide classic of interpretive vocalizing.

by David McGee

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