Of Time and The Artist’s Heart

From Ligeti to Bill Evans to Oscar Peterson to Nina Simone to George Gershwin and others, CHRISTINA MCMASTER offers a wondrous journey through time on PINKS & BLUES. ROBERT HUGILL reviews.
by David McGee
 

 
 

LURED (1947)

LUCILLE BALL, GEORGE SANDERS, BORIS KARLOFF, GEORGE ZUCCO and CEDRIC HARDWICKE head a stellar ensemble cast in DOUGLAS SIRK's semi-comedic film noir gem from 1947.
by David McGee
 

 

 

Harnessing the Power of Russian History and Personal Longing

Seven years in the making, JULIA VORONTSOVA's 'OVER' 'is my vision of me,' the artist proclaims, adding: 'I feel between eras.'
by David McGee
 

 
 

Otherworldly Sensations of Time and Space

A COSMIC RHYTHM WITH EACH STROKE, by VIJAY IYER and WADADA LEO SMITH, is grounded in human feeling and promises to stand the test of time.
by David McGee
 

 

 

Inspired by Tolstoy and Pigs

Toronto-based animal rights activist ANITA KRAJNC is co-founder of Toronto Pig Save. They save pigs from slaughter, on pain of arrest. Their efforts are paying off. DUNCAN STRAUSS has the inside story.
by David McGee
 

 
 

Feeling The Vibrations

Post-Kronos Quartet, cellist Joan Jeanrenaud has created one compelling solo work after another. Her latest, VISUAL MUSIC, delivers an unusual range of emotional wallops, says reviewer DERK RICHARDSON.
by David McGee
 

 

 

Seven Voices on ‘Seven Stanzas’ (2016 Edition)

Continuing a tradition dating back to our April 2011 issue, we present seven new voices commenting and reflecting on the import of JOHN UPDIKE's powerful poem, 'Seven Stanzas at Easter.'
by David McGee
 

 
 

Revitalizing the Lakota Language

A substantial grant for revitalizing the Lakota language in early childhood; deconstruction for Mother Earth; solar panels for the Red Lake Nation
by David McGee
 

 

 

Featuring Frank Morrison

Illustrator FRANK MORRISON catches JULES's attention this month with his work in PAT ZEITLOW MILLER's THE QUICKEST KID IN CLARKSVILLE, in which Olympic great WILMA RUDOLPH makes a cameo and the story makes a point.
by David McGee