Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Somewhere Between Heartache and Redemption

Balancing personal misfortune with spiritual redemption, CRYSTAL SHAWANDA is making a major movie with CHURCH HOUSE BLUES, her fourth blues album.
by David McGee
 

 
 

Monoswezi: Experimentation is The Order of The Day

Shanu quite simply means “Five” in the Shona language of Zimbabwe, home to MONOSWEZI's lead vocalist and mbira player HOPE MASIKE. This, their fifth album, is the most adventurous to date from the lineup representing four n...
by David McGee
 

 

 

The Angels Listened In

It's been a long, hard climb back to the active list for JAMES ARMSTRONG following a 1996 home invasion that left him without the use of his left arm. But back he has come, all the way, with GUITAR ANGELS, a blues triumph throu...
by David McGee
 

 
 

On Saving Mortal Souls

“Having not played in this style in the past is a huge disadvantage, but I am willing to stretch and fight to get it under control. Those pesky chords! Those finger positions, those slides, those finger-thumb rolls, those cou...
by David McGee
 

 

 

Loud and Proud

Janis Martin had a brief moment in the sun in the mid--'50s as a pioneering female rock ''n' roll artist billed as 'The Female Elvis.' In 2006 Rosie Flores took Martin back into the studio and produced the terrific Blanco Sessi...
by David McGee
 

 
 

At Thanksgiving, ‘Signs of the Times’

'Signs of the Times'--Paul Laurence Dunbar's dialect poem in honor of Thanksgiving, originally published in his 1897 book of verse, Lyrics of a Lowly Life.
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Gospel picks with a World Music flavor dominate Bob Marovich's latest hot platters...
by David McGee
 

 
 

In Her Own Words: Up-and-Coming Illustrator Sairom Moon

Our heralded kids' lit blogger JULES interviews up-and-coming illustrator Sairom Moon, and kicks off the new year by blessing us with a couple of new illustrations from the redoubtable illustrator Elisa Kleven.
by David McGee