Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Bob Marovich’s Gospel Picks

Hard rock gospel from Japan's IMARI TONES; traditional trio gospel from NEW CONVERTED VOICES; hip-hop from ELOHIN; and multicultural sounds from the HOUSE OF DAVID soundtrack.
by David McGee
 

 
 

(Much) More To Come…

One of the finest contemporary bluegrass bands around is cementing its reputation as same during this, its 30th anniversary year, with the second of three overviews of each decade of its productive existence. Like Volume One, V...
by David McGee
 

 

 

Love Is a Many-Splintered Thing

Herein a dozen smokey, sensuous and often ambivalent discourses on love and passion delivered with the breathy tenderness and sublime understatement of someone defining love not as a many-splendored thing, but rather as a many-...
by David McGee
 

 
 

Eddie Sutton Contained Multitudes

EDDIE SUTTON, one of the winningest college basketball coaches in history, and an inspirational leader, died in Tulsa on May 23. Herein, two of his players pay tribute to a man who changed their lives.
by David McGee
 

 

 

Being About the Persistence of Love

At long last, 83-year-old MARY LANE asserts herself at the forefront of contemporary blues with TRAVELIN' WOMAN, her record of a lifetime and of hanging in and hanging on to love, body, soul and heart intact.
by David McGee
 

 
 

To Attract and To Intrigue

On THE ORIGIN OF ADJUSTABLE THINGS, jazz singer/composer JOANNA WALLFISCH, accompanied by pianist DAN TEPFER, offers new songs and inspired covers in a variety of styles.
by David McGee
 

 

 

‘Grass Is the Forgiveness of Nature—Her Constant Benediction’

In 1872 Kansas Sen. JOHN JAMES INGALLS, one of the U.S. Senate's most eloquent voices, praised the vitality of the tallgrass prairie in IN PRAISE OF BLUEGRASS--and he wasn't talking music.
by David McGee
 

 
 

Seven Voices on ‘Seven Stanzas’ (2016 Edition)

Continuing a tradition dating back to our April 2011 issue, we present seven new voices commenting and reflecting on the import of JOHN UPDIKE's powerful poem, 'Seven Stanzas at Easter.'
by David McGee