Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Pushing the Boundaries

South Africa's FRESHLYGROUND enlisted Los Lobos's STEVE BERLIN as its producer and came up with a border crossing Afropop gem in TAKE ME TO THE DANCE
by David McGee
 

 
 

Between Rock and a Traditional Place

Lisa Matassa's impressive EP Somebody's Baby is not for country traditionalist, but fans of contemporary arena-style mainstream country will find much to admire in the rock-fueled anthems, but there is evidence here of a sensit...
by David McGee
 

 

 

Songs in the Key of Life

Madrid native CARMEN CUESTA follows her acclaimed bossa nova album with a collection of a dozen well-turned, mostly sensual boleros in UNA TODA VIDA...
by David McGee
 

 
 

Carl Sagan’s Pale Blue Dot

With more than one million views at present, this video of CARL SAGAN's eloquent, poetic meditation on 'the only home we've ever known' is even more timely and important than it was when published in 1994. To say it speaks for ...
by David McGee
 

 

 

The End of the ’60s? Where Do I Begin…

In this installment of his forthcoming memoirs, contributing editor MICHAEL SIGMAN lands a full-time job at RECORD WORLD right out of college, at the very moment sure signals of the '60s' end could not be ignored.
by David McGee
 

 
 

The Floating World

Can the Japanese today really look to Mother Nature to find out who they are? A visit to Hawaii spurs writer TOKUTA WONGSE-ONT to reflect on the lost 'floating world' that once was the Land of the Rising Sun.
by David McGee
 

 

 

Brooklyn, Blintzes, Baseball and Ballads With Johnny Mercer (Field Notes From a Music Biz Life)

In chapters 6 and 7 of his memoirs, MICHAEL SIGMAN recalls his father CARL SIGMAN's songwriting apprenticeship with JOHNNY MERCER and how the rocky course of his adolescent years seemed to parallel his dad's hit songs.
by David McGee
 

 
 

To Fresh Buds

Navona Records has issued a complete disc of composer GREGORY W. BROWN's music on MOONSTRUNG AIR, performed by NEW YORK POLYPHONY and THE CROSSING.
by David McGee