Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Reviews

The Cowboy Rides Away

It is the misfortune of Lloyd Estel Copas to be better remembered for how and with whom he died than for the wonderful music he made as Cowboy Copas, in which guise he was a dominant presence on the country charts from 1946 to ...
by David McGee
 
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Spotlight Album

The Eternal Ache in Full, Glorious Flower

The timelessness of CARTER FAMILY songs is underscored in DON'T FORGET ME LITTLE DARLING, an homage by ANTIQUE PERSUASION, a trio of roots veterans that has made one of 2015's finest albums.
by David McGee
 
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Native American News

Ken Burns on ‘The American Buffalo’ and Indigenous Histories

KEN BURNS discusses his latest production with NICK MARTIN, a senior editor for HIGH COUNTRY NEWS' Indigenous Affairs desk.
by David McGee
 
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Border Crossings

Found Sounds and A Cry of Conscience: Filastine Takes It To the Streets (Literally)

At the intersection of unabashed globalism and bass music, the wandering arts instigator FILASTINE takes dance music to its outer-national limits on £00T, incorporating and dismantling lush sounds from North Africa, Brazil, Ja...
by David McGee
 
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Reviews

It’s Small’s World After All

Adhering to a '1 guitar, 1 voice, one foot format,' MARK T. SMALL's solo acoustic collection of mostly blues songs, with a taste of country and bluegrass for variety, is a low-key, honest effort that leaves a good feeling in it...
by David McGee
 
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Spotlight Album

‘Daddy G,’ In Full

GENE 'DADDY G' BARGE, saxophonist and vocalist par excellence, made his first record in 1955 and went on to accompany some of the greatest names in blues and soul. His new solo album, OLIO, demonstrates all his gifts in full.
by David McGee
 
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Border Crossings

Down and Dirty Strings

On his Stringtet's new album, In the Gallery, composer/guitarist JASON SEED, unites classical players, jazz freedom and imaginary folk music. Jason explains it all in our interview.
by David McGee
 
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Reviews

One Humanist Touch

The second album from singer-songwriter-multi-instrumentalist Mike T. Lewis and his wife and musical partner MaryBeth Zamer–collectively known as the Twangtown Paramours–is a solid advance over the couple’s 2010 debut.
by David McGee
 
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