Tell It On the Mountain, Indeed

You Can’t Do That? You Can Do That.

Jazz improvisation meets Lennon-McCartney in tasty fashion on LOREN DANIELS's TICKET TO RIDE.

by David McGee

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Gospel, jazz and Classical merge spectacularly on JOHN PAUL MCGEE's A GOSPEJAZZICAL CHRISTMAS

by David McGee

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A Quiet Storm of Guitar Mastery

Guitarists LARRY NEWCOMB, with his son JAKE on bass, and DAVE STRYKER lead their combos on scintillating jazz-oriented journeys on their new albums, whereas on his reissued masterpiece, CAMINANDO, guitarist JUAN CARLOS QUINTERO...

by David McGee

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‘It’s Time to Shine’: An Interview With Ivy Ford

IVY FORD, riding a wave of acclaim for her 2020 album Club 27 (a Deep Roots Album of the Year), sits down for an interview conducted by LINDA CAIN, founder/managing editor of the essential CHICAGO BLUES GUIDE.

by David McGee

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Turning 65 with ‘Crazy’

As his 65th birthday looms, contributing editor MICHAEL SIGMAN reflects on a classic song his father, CARL SIGMAN, wrote in 1949, 'Crazy He Calls Me.' It, like Michael, has led a charmed life.

by David McGee

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Pt. I: ‘God Rest Ye Merry Gentlemen’ & The Lost Punctuation Mark

What Americans hear when they listen to 'God Rest Ye Merry Gentlemen' is not anything like what the English peasants meant when they first sang this song more than 500 years ago. So claims best selling author ACE COLLINS.

by David McGee

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The Christmas Song, Like No Other Christmas Song

NAT KING COLE. 'The Christmas Song.' End of story, right? Not quite. There's more where that came from.

by David McGee

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