Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
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Michael Bram Goes Yard

Michael Bram's new Suitcase In the Hall is a tape-measure home run of soulful singing, inspired playing, terrific songs and great vibes from first to last.
by David McGee
 

 
 
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Wondrous Incandescence

Two folk veterans are at the top of their games: TOM PAXTON on his new REDEMPTION ROAD album and MICKEY CLARK (with his band THE BLUE NORTHER) on REASONS & RHYMES.
by David McGee
 

 

 
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But Beautiful

A pair of albums designed to spur reflection share ALBUM OF THE WEEK honors: NEARNESS, a classy batch of standards by TINA BRUHN and JOHNNY O'NEAL, and BEATLERIANAS by Carlos Barbosa-Lima & The Havant String Quartet
by David McGee
 

 
 
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A Gift of Transcendence

LOWLAND HUM returns with its fifth album, GLYPHONIC, and our JOSEPH MCSPADDEN finds it to be ;a song cycle that challenges the artist and listener alike to resist the gravitational pull of the material world and to choose to li...
by David McGee
 

 

 
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It Takes Two…

Two great Christmas albums emerged in 1964, and one of the artists in question did it again in '69.
by David McGee
 

 
 
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Angels We Have Heard on High

DANCING DAY: MUSIC FOR CHRISTMAS, the last recording JOHN SCOTT made with the SAINT THOMAS CHOIR OF MEN & BOYS before his tragic death this past August, is a reverent seasonal classic.
by David McGee
 

 

 
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Tell It On the Mountain, Indeed

Gospel, jazz and Classical merge spectacularly on JOHN PAUL MCGEE's A GOSPEJAZZICAL CHRISTMAS
by David McGee
 

 
 
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‘There Is a Great Desire in All Souls for What Is Good and Beautiful’

The BENEDICTINES OF MARY, QUEEN OF APOSTLES are back with another moving seasonal epistle to follow last year's chart busting Angels and Saints. LENT AT EPHESUS, the sisters' new album, is a true sacred masterpiece.
by David McGee
 

 

 
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Fashioning a More Thoughtful World

Scottish classical guitarist SEAN SHIBE, playing with lovely clarity and thoughtfulness, adds his own innate sense of the elegant to a trio of BACH lute compositions he has seamlessly transposed to his own instrument.
by David McGee