Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
Recent Articles
 

 
John Primer Bob Corritore Gypsy

Blues Built to Last

Chicago blues masters BOB CORRITORE and JOHN PRIMER have delivered blues built to last on THE GYPSY WOMAN TOLD ME, containing performances every bit as classic as the cover art by VINCE RAY.
by David McGee
 

 
 
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Of The Word, Dark Secrets and Inconvenient Truths

A review of gospel authority ANTHONY HEILBUT's new book of incisive, informed essays, The Fan Who Knew Too Much, which includes a lengthy examination of the gay subculture within the gospel world. Also: an interview with Mr. He...
by David McGee
 

 

 
paul1 spotlight

Paulie, Au Courant, Defying Time and Tide

Pure Paul McCartney, au courant, defying time and tide, towering over whomever would challenge his grandeur. Celebrate him now. David McGee reviews Paulie's self-curated 4-CD solo overview. Exit breathless.
by David McGee
 

 
 
Typewriter Tape cover

Jorma, Janis & The Typewriter Tape: The Facts

The legendary TYPEWRITER TAPE, featuring young JANIS JOPLIN singing, and young UC Santa Clara student Jorma Kaukonen on guitar, is now an official release.
by David McGee
 

 

 
hurricane sandy

Turn the Tide: Benefit Concert in NYC for Hurricane Sandy Victims

On Dec. 2 some stellar New York City working musicians are getting together for a benefit to aid victims of Hurricane Sandy. All the particulars are here.
by David McGee
 

 
 
blues blues3 featured

Christmas Beyond the Blue

BLUES, BLUES CHRISTMAS VOLUME 3 leads this revised and updated review of four essential blues Christmas albums, including last year's DEATH MIGHT BE YOUR SANTA CLAUS
by David McGee
 

 

 
Don Kipper Always Cant cover

To Seek a Better World

On its new album, U.K. collective DON KIPPER offers music taut with intention to meet the moment.
by David McGee
 

 
 
isambardjones spotlight

Let Us Now Praise Infamous Men

The pen and musicianship of the legendary JOHN MENDLESSOHN have brought us ISAMBARD JONES & HIS ORCHESTRA, wherein the absurdist meets the British Music Hall.
by David McGee