Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

A Final Flowering

ANONYMOUS 4 is closing out its near-30-year career with one of its finest albums, 1865--SONGS OF HOPE AND HOME FROM THE AMERICAN CIVIL WAR, the final installment of its Americana Trilogy.
by David McGee
 

 
 

Time, Time, Time, See What’s Become of Me

What's better than one new DONNA HUGHES album? Answer: two new DONNA HUGHES albums. The gifted bluegrass singer-songwriter is back with FROM THE HEART and FLY. We appraise, and praise.
by David McGee
 

 

 

Discovering Something Outside the Realm of the Everyday

The album 'LOCKWOOD' and its author, JEREMIAH LOCKWOOD, are the genuine real deal. Behold timeless blues.
by David McGee
 

 
 

Black Sacred Music, A.D. to B.D.

An essential overview of black scared folk music recorded between 1926 A.D. (After Arizona Dranes) and 1936 B.D. (Before Thomas Dorsey)
by David McGee
 

 

 

Sean Costello, Fully Present

Finally seeing the light of day after being recorded in 2005, SEAN COSTELLO's IN THE MAGIC SHOP is more than a fitting final tribute--it's a masterpiece by an artist who is fully present in all dimensions.
by David McGee
 

 
 

Très engagé E una gioia di vivere (or, You Go, Girl)

Exploring the vagaries of love in French and Italian songs, CATARINA ZAPPONI delivers a seductive gem on ROMANTICA, her first album since 2001 and well worth the wait.
by David McGee
 

 

 
 

An Empress On the Forgotten Paths of Russian Song

Venturing down forgotten paths of Russian song on her new album, ST PETERSBURG, Empress of Song CECILIA BARTOLI offers a virtuoso performance of the long-hidden body of music composed for the Romanov court.
by David McGee
 

 
 

Existential Bluegrass

Bluegrass existentialists THE ROYS are back with THE VIEW, comprised of songs pondering the burden of memory as time marches on, along with philosophical appraisals of quotidian troubles and joys.
by David McGee
 

 

 

Paving the Way for Those Who Paved the Way

Twenty-five superb tracks, starting in 1940, of the Mother of Gospel Music SALLIE MARTIN's early recordings, appraised as invaluable by JOURNAL OF GOSPEL MUSIC founder BOB MAROVICH
by David McGee