In That's Where it's At, MICHAEL JEROME BROWNE celebrates his long love of pre-war blues and country and blends it with his take on modern pop and soul music, connecting our past with our present in telling a very human story.
With songs by Dylan, Chuck Berry, Arthur Alexander, Goffin-King, Ronnie Self, Allen Toussaint and others, THE DUKE ROBILLARD BAND's EAR WORMS seeks, and attains, transcendence.
A true historical obscurity, PRIVATE SNAFU was the title character in a series of animated instructional shorts filmed for and shown only to WWII soldiers to instruct them in security, personal hygiene and other issues.
'These are not performances that conjure ghosts of the past: harpsichordist ADAM PEARL reveals that this music lives as viscerally today as it did two-and-a-half centuries ago.
LOWLAND HUM returns with its fifth album, GLYPHONIC, and our JOSEPH MCSPADDEN finds it to be ;a song cycle that challenges the artist and listener alike to resist the gravitational pull of the material world and to choose to li...
A double-shot of 7 Imp this time around: in 'A NEW HOME,' we see 'the common humanity in two cultures on two different spots in the map'; and in BLOOM BOOM! we celebrate the flowering, if you will, of spring!
The ST CHARLES SINGERS' AMERICAN REFLECTIONS imbues the listener with a sense of being on hallowed, holy ground, closer to the essence. Texts by RAINER MARIA RILKE, OCTAVIO PAZ, AARON COPLAND and others.
In his new book, MAMA'S LAST HUG, Primatologist FRANS DE WAAL makes a credible case for animals experiencing emotions much as humans do. Suddenly, his ideas are gaining traction. DUNCAN STRAUSS, explores those ideas with de Waa...
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