Harpsichord In a New World

MAHAN ESFAHANI continues to break new ground for the harpsichord on his latest CD, TIME PRESENT AND TIME PAST. Review by ROBERT HUGILL.
by David McGee
 

 
 

Celebrating the Stanford Centenary

A century after his passing, CHARLES VILLIERS STANFORD gets a grand celebration.
by David McGee
 

 

 

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

A sequence of nine evocative, often poignant solo piano pieces by the young Scottish composer/pianist Alexander Chapman Campbell, inspired by a walk through Norwegian mountains
by David McGee
 

 
 

A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...
by David McGee
 

 

 

‘Serious, Fascinating, Independent’

On ENTANGLED FORTUNES, the RED NOTE ENSEMBLE does justice to five major chamber pieces written by Scottish composer EDDIE MCGUIRE. Classical editor ROBERT HUGILL weighs in on a fine album.
by David McGee
 

 
 

Feeling Nature’s Rhythms, Mystery and Spiritual Beauty

So Scottish composer/pianist ALEXANDER CHAPMAN CAMPBELL went for a long walk through Norway and lo! A beautiful album materialized...
by David McGee
 

 

 

Evoking Afternoons in 17th Century Hereford

Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...
by David McGee
 

 
 

Beyond Arcady and Bethlehem

A must-hear event for choral music lovers: ONLY A SINGING BIRD by the NATIONAL GIRLS CHOIR of Scotland, with sensitively rendered songs by MICHAEL HEARD and others.
by David McGee
 

 

 

Of Love, Loss, Chivalry & Memory

Christine de Pisan, whose work touched on every aspect of courtly life, from romantic poetry to military strategy and feminist critiques of the position of women in society, has inspired Blondel's new work of late Medieval wind...
by David McGee