Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
vintage france

A New Spin on the Old Chanson

On VINTAGE FRANCE, the classic French chanson is alive and hip in the hands of expert practitioners such as MADELEINE PEYROUX, JULIETTE GRECO and others.
by David McGee
 

 
 
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Cowboys, Blues and Cowboy Blues

GARY ALLEGRETTO and IAN ESPINOZA have teamed up on a debut CD of cowboy love songs, cowboy blues, tall tales of legendary characters, love ballads and even Delta blues-style originals.
by David McGee
 

 

 
dudley taft1

In Search of the Cleansing Moment

Merciless as ever, and making paint peel from the walls with the heat of his guitar blitzkrieg, DUDLEY TAFT has made his third solo album, SCREAMING IN THE WIND, his most memorable.
by David McGee
 

 
 
darin brooke snapshots

Being About The Enduring Values

One of the hottest new bluegrass releases of this young year, DARIN & BROOKE ALDRIDGE's SNAPSHOTS centers on the enduring values of faith and love.
by David McGee
 

 

 
daniela mercury virtual copy

The Elite Half Hundred of 2016, Part 1

Fifty albums that made life worth living in 2016. Part 1.
by David McGee
 

 
 
Tracy Nelson Life Dont Miss Nobody cover

In Heavy Rotation: Ladies Sing the Blues (and More)

Must-hear new CDs from TRACY NELSON, JEWEL BROWN, BARBARA BLUE and LIBBY YORK
by David McGee
 

 

 
willie lets face

The Romantic

WILLIE NELSON returns at his best on LET'S FACE THE MUSIC AND DANCE, a torch album chronicling a bruised but not broken romantic's tumultuous journey of the heart.
by David McGee
 

 
 
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Memphis Now, Memphis Tomorrow, Memphis Forever

Paying tribute to the Bluff City's rich musical history, GARRY GOIN and PATRICK REGISTER, aka DUAL DRIVE, get funky with a capital F on some vintage Memphis tunes on THE MEMPHIS PROJECT
by David McGee
 

 

 
song of banjo

The Big Land

Ever more ambitious, ALISON BROWN returns with THE SONG OF THE BANJO, with KEB' MO outstanding on 'What's Going On,' and our reviewer likening the instrumental portions to Smetana's 'The Moldau.' Really.
by David McGee