Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
Recent Articles
 

 

A Portrait of His Hungarian Soul

Gypsy music is pure passion, and that's what Hungarian-born violinist FERENC ILLENYI mines on his album GYPSY DREAM, in which he immerses himself in exploring all the varied facets of gypsy music.
by David McGee
 

 
 

The Eternal Ache in Full, Glorious Flower

The timelessness of CARTER FAMILY songs is underscored in DON'T FORGET ME LITTLE DARLING, an homage by ANTIQUE PERSUASION, a trio of roots veterans that has made one of 2015's finest albums.
by David McGee
 

 

 

Musical Echoes of Days Long Past

Musical echoes of days long past abound in THE BEAUTIFUL OLD and MIKE SCOTT & FRIENDS' HOME SWEET HOME: CIVIL WAR ERA SONGS. Plus: a James Cagney VIDEO MOMENT OF THE WEEK.
by David McGee
 

 
 

Voices From Beyond the Glow in the Sunset Skies

An all-star cast of roots songwriters, musicians and vocalists join forces on GOD DIDN'T CHOOSE SIDES: Civil War True Stories about Real People, Volume 1. Ye shall be moved.
by David McGee
 

 

 

A Royal Sport

In 1907 JACK LONDON sailed to Hawaii in his ketch The Snark. His enthusiastic report on surfing, 'A ROYAL SPORT, rekindled interest in riding the waves in surfing's birthplace and launchied its modern era. Read it here.
by David McGee
 

 
 

Pandemic Passover: A Moment of Rupture May Lead to a New Path

RABBI MICHAEL ROTHBAUM, reflecting on Passover's history of being recreated in 'inhospitable worlds of exile,' sees the traditional as having lessons to teach a COVID-19 planet.
by David McGee
 

 

 

Torn Between Two Bosses, Not Feeling Like a Fool

BOB AUSTIN and SID PARNES were partners as the owners of RECORD WORLD magazine but otherwise had no use for each other. As RW editor, MICHAEL SIGMAN had to get along with both.
by David McGee
 

 
 

The Man In Black, In All Dimensions

In this the 80th year of JOHNNY CASH’s birth, Columbia/Legacy is celebrating with five new collections of vintage and previously unreleased Cash music that pretty much cover the waterfront of the Man in Black’s aesthetic.
by David McGee