Deep Roots Magazine
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Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

The Beach Girls and The Monster (1965)

A lost beach classic is headlining at Deep Roots Theater: THE BEACH GIRLS AND THE MONSTER, with music by Frank Sinatra Jr. Also: Felix the Cat in 'April Maze' (1930)
by David McGee
 

 
 
 

VIOLENT SATURDAY (1955)

Director RICHARD FLEISCHER's VIOLENT SATURDAY is an excellent film noir entry from 1955 starring a young Lee Marvin, Ernest Borgnine and Victor Mature; plus Donald Duck in a mellow satire on hunting, 'No Hunting' (1955)
by David McGee
 

 

 

The Nevadan (1950)

A 1950 double-dip: United States Marshal Andrew Barclay (Randolph Scott) arranges the escape of outlaw Tom Tanner (Forrest Tucker) in order to locate the $250,000 in gold stolen by Tanner in stagecoach robbery. Plus BUGS BUNNY ...
by David McGee
 

 
 

No Down Payment (1957)

In 1957 director MARTIN RITT shattered the facade of bucolic suburban life in post-war America in his lost classic, NO DOWN PAYMENT. TONY RANDALL, JOANNE WOODWARD and PAT HINGLE lead an excellent cast. Plus two obscure Popeye-r...
by David McGee
 

 

 

The Kid (1921)

Marking the 125th anniversary of CHARLIE CHAPLIN's birth, Deep Roots Theater presents his 1921 masterpiece, THE KID, starring Chaplin as the Tramp and 7-year-old JACKIE COOGAN as the Child.
by David McGee
 

 
 

December 1968: The King Reclaims His Throne

Forty-five years ago this month, in a blazing return to relevancy, ELVIS appeared on NBC-TV as the sole star of what became known as his comeback special. See it all here.
by David McGee
 

 

 

BEYOND TOMORROW (1940)

In DEEP ROOTS THEATER: a charming holiday movie, BEYOND TOMORROW. Three elderly industrialists killed in an airplane crash return to earth as ghosts to help reunite a young couple whom they initially brought together. Plus: Pop...
by David McGee
 

 
 

Sweet November (1968)

In DEEP ROOTS THEATER, ANTHONY NEWLEY and SANDY DENNIS star in one of 1968's great date movies, SWEET NOVEMBER, a bonafide multi-hanky romance with a tragic underpinning and a challenge to conventional notions of relationships....
by David McGee