Robert Hugill | Deep Roots Magazine

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.

by David McGee

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New Version of Ukrainian Carol Supports Refugee Center

A joint effort by composer ROXANNA PANUFNIK and Signum Classics to raise funds for the U.K.-based REFUGEE CENTER

by David McGee

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Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.

by David McGee

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Evoking Afternoons in 17th Century Hereford

Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...

by David McGee

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A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...

by David McGee

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A Fresh Perspective on the ‘African Mahler’

CATALYST QUARTET, a young American ensemble, explores the chamber music of SAMUEL COLERIDGE-TAYLOR, works whose sophistication belies their early date

by David McGee

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The Indefatigable George McPhee

The PAISLEY ABBEY CHOIR, with Director GEORGE. MCPHEE, offers the first outstanding choral album of 2021 in A CELTIC PRAYER, a program of choral and organ pieces by Scottish composers of contemporary and 20th Century Scottish s...

by David McGee

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Robert Hugill’s Classical Christmas Evergreens

ROBERT HUGILL'S CLASSICAL CHRISTMAS is a collection of must-read reviews of Classical Yuletide fare, from choral works to small vocal ensembles, as appraised by Mr. Hugill in Deep Roots from 2013 to the present day. All to make...

by David McGee

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Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.

by David McGee

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