A Quick Delivery of Yuletide Joy | Deep Roots Magazine

Unraveling the ‘Redskins’ Lie: Americans Don’t Know Native History

KEVIN GOVER, director of the Smithsonian's National Museum of the American Indian, on the role of museums in correcting Americans' misperceptions about Native Americans; Honor the Earth protests the Sandpiper Pipeline; review o...

by David McGee

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They Made Me a Criminal (1939)

Now showing: THEY MADE ME A CRIMINAL, the 1939 Busby Berkeley-directed drama of a boxer on the run starring JOHN GARFIELD, THE DEAD END KIDS, CLAUDE RAINS and the ill-fated GLORIA DICKSON. Also: More Busby Berkeley, plus GOOFY'...

by David McGee

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Brooklyn, Blintzes, Baseball and Ballads With Johnny Mercer (Field Notes From a Music Biz Life)

In chapters 6 and 7 of his memoirs, MICHAEL SIGMAN recalls his father CARL SIGMAN's songwriting apprenticeship with JOHNNY MERCER and how the rocky course of his adolescent years seemed to parallel his dad's hit songs.

by David McGee

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An Empress On the Forgotten Paths of Russian Song

Venturing down forgotten paths of Russian song on her new album, ST PETERSBURG, Empress of Song CECILIA BARTOLI offers a virtuoso performance of the long-hidden body of music composed for the Romanov court.

by David McGee

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An Imaginative Exploration of The Sound-World of The Early Celtic Church

Music composer ROBERT HUGILL's review leads this appraisal of a fascinating, haunting new album exploring the sound of the early Celtic church.

by David McGee

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The Old Guard Hated the Rock But Loved the Bankroll (Field Notes From a Music Biz Life, Part 4)

In Part 4 of his autobiography, MICHAEL SIGMAN explains why the old guard post-war pop songwriters 'hated the rock but loved the bankroll'

by David McGee

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Cascada de Flores: Reimagining Latin American Radio’s Golden Era

On RADIO FLOR, CASCADA DE FLORES brings the beauty of a distant era of Mexican radio into the present, very much alive and in full bloom.

by David McGee

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Existential Bluegrass

Bluegrass existentialists THE ROYS are back with THE VIEW, comprised of songs pondering the burden of memory as time marches on, along with philosophical appraisals of quotidian troubles and joys.

by David McGee

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