Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 

Fisk Jubilee Singers: From Whipping Post to Throne Room

The early struggles and ultimate triumph of the FISK JUBILEE SINGERS, as reported by JAMES M. TROTTER in his 1878 book profiling 'remarkable musicians of the colored race.' '
by David McGee
 

 
 

The Passionate Style

Italian composer, gambist, and singer Claudio Giovanni Monteverdi is often regarded as revolutionary in that his work marked the transition from the Renaissance style of music to that of the Baroque period. He developed two ind...
by David McGee
 

 

 

A Day With Robert Schumann

IN this month's PLEASURES OF MUSIC, an 1884 report by May Byron on A DAY WITH ROBERT SCHUMANN. In this account, the author chronicles a day spent with the arch-Romantic composer, which includes some vivid scenes with Schumann's...
by David McGee
 

 
 

A Day With Felix Mendelssohn Bartholdy

Ever wonder what it would have been like to spend a day with, say, Felix Mendelssoh? Especially a day when Robert Schumann shows up? George Sampson did just that, and set down the experience for posterity.
by David McGee
 

 

 

‘A Man to Evoke Respect and Love Under All Conditions’

From his 1899 book FAMOUS VIOLINISTS OF TO-DAY AND YESTERDAY, HENRY C. LAHEE offers a balanced profile of Norway's violin virtuoso OLE BULL, replete with musical excerpts.
by David McGee
 

 
 

Prokofiev, Conflicted: Great Composer or Great Compromiser?

SERGEI PROKOFIEV was a great composer, but was he also a great compromiser when it came to bowing to the demands of the Soviet regime, which viewed him as a threat to the people?
by David McGee
 

 

 

Rossini on Rossini, Byron on Rossini

From his 1886 book From Mozart to Marvio V1: Reminiscences of a Half Century, Louis Engel discloses the composer Giochino Rossini's slightly jaundiced view of his own legacy; in correspondence to two friends in 1818, Lord Byron...
by David McGee
 

 
 

The ‘Superhuman’ Voice of Pauline Viardot

Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
by David McGee