Fisk Jubilee Singers: From Whipping Post to Throne Room

The early struggles and ultimate triumph of the FISK JUBILEE SINGERS, as reported by JAMES M. TROTTER in his 1878 book profiling 'remarkable musicians of the colored race.' '
by David McGee
 

 
 

Musical Wings to Transport the Soul

Considering the transportive effects of music, especially during a pandemic.
by David McGee
 

 

 

Musical Memories

From his MUSICAL MEMORIES memoir, CAMILLE SAINT-SAENS reflects on the legacy and standing of his Romantic-era contemporary, M. JULES MASSENET
by David McGee
 

 
 

Palestrina

In his Memoirs, published in 1896, composer CHARLES GOUNOD reflected on the exalted heights PALESTRINA and MICHELANGELO reached in their respective arts and the points of similarity between the two geniuses.
by David McGee
 

 

 

Mendelssohn’s ‘Hymn of Praise’

GEORGE P. UPTON examines the life of FELIX MENDELSSOHN and the story behind the great composer's Symphony No. 2 ('Hymn of Praise').
by David McGee
 

 
 

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
 

 

 

The ‘Superhuman’ Voice of Pauline Viardot

Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
by David McGee
 

 
 

‘A Man to Evoke Respect and Love Under All Conditions’

From his 1899 book FAMOUS VIOLINISTS OF TO-DAY AND YESTERDAY, HENRY C. LAHEE offers a balanced profile of Norway's violin virtuoso OLE BULL, replete with musical excerpts.
by David McGee
 

 

 

Music a Remedy

In his monumental ANATOMY OF MELANCHOLY, published in 1621, ROBERT BURTON argued for, among other things, music as a remedy for melancholy. It might work.
by David McGee
 

 
 

The Spiritual Side Of The Singer’s Art

An interview with opera singer MORGAN KINGSTON, circa 1917, in which he holds forth on 'The Spiritual Side of the Singer's Art'
by David McGee
 

 

 

Contemporary Music

During a four-month concert tour of America in 1928, composer MAURICE RAVEL delivered a then-controversial lecture urging American classical musicians to incorporate African-American music into their compositions. Ahead of his ...
by David McGee
 

 
 

Frédéric Chopin: ‘Sublimity Through Sweet Sounds’

From his turn-of-the-20th-century travels, ELBERT HUBBARD chronicles a visit to the home of composer Frédéric Chopin and uncovers a link to American novelist STEPHEN CRANE.
by David McGee