Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
Pleasures Of Music

The Women Composers

In 'The Women Composers,' from his book Contemporary American Composers, published in 1900, RUPERT HUGHES, M.A. makes the case for women composers being the equal of male composers as the 20th century dawned. Featuring AMY BEAC...
by David McGee
 
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Pleasures Of Music

Mendelssohn’s ‘Hymn of Praise’

GEORGE P. UPTON examines the life of FELIX MENDELSSOHN and the story behind the great composer's Symphony No. 2 ('Hymn of Praise').
by David McGee
 
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Pleasures Of Music

The Passionate Style

Italian composer, gambist, and singer Claudio Giovanni Monteverdi is often regarded as revolutionary in that his work marked the transition from the Renaissance style of music to that of the Baroque period. He developed two ind...
by David McGee
 
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Pleasures Of Music

Caruso on The Art of Singing

ENRICO CARUSO holds forth on the ART OF SINGING in an excerpt from a 1909 collection of h is public utterances on his art. The wealth of embedded videos include the 1918 silent film MY COUSIN, featuring the great singer in a du...
by David McGee
 
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Pleasures Of Music

Palestrina

In his Memoirs, published in 1896, composer CHARLES GOUNOD reflected on the exalted heights PALESTRINA and MICHELANGELO reached in their respective arts and the points of similarity between the two geniuses.
by David McGee
 
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Pleasures Of Music

Rossini on Rossini, Byron on Rossini

From his 1886 book From Mozart to Marvio V1: Reminiscences of a Half Century, Louis Engel discloses the composer Giochino Rossini's slightly jaundiced view of his own legacy; in correspondence to two friends in 1818, Lord Byron...
by David McGee
 
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Pleasures Of Music

Beethoven’s Day

Composer RICHARD WAGNER was always quick to dash off polemics on various subjects. He first wrote about BEETHOVEN in 1840, and returned to interpret the master's C-Sharp Minor String Quartet in 1870 during the Beethoven Centena...
by David McGee
 
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Pleasures Of Music

Musical Memories

From his MUSICAL MEMORIES memoir, CAMILLE SAINT-SAENS reflects on the legacy and standing of his Romantic-era contemporary, M. JULES MASSENET
by David McGee
 
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