Deep Roots Magazine

 
 

 
Pleasures Of Music

‘Unaccountably Odd’

'Unaccountably Odd': a musical and sexual adventurer, possibly a racist, and a composer ahead of his time, PERCY GRAINGER led a most unusual life, and now lives on in a new album by the BILDER DUO. A reconsideration is in order.
by David McGee
 
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Pleasures Of Music

The Spiritual Side Of The Singer’s Art

An interview with opera singer MORGAN KINGSTON, circa 1917, in which he holds forth on 'The Spiritual Side of the Singer's Art'
by David McGee
 
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Pleasures Of Music

Prokofiev, Conflicted: Great Composer or Great Compromiser?

SERGEI PROKOFIEV was a great composer, but was he also a great compromiser when it came to bowing to the demands of the Soviet regime, which viewed him as a threat to the people?
by David McGee
 
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Pleasures Of Music

Music a Remedy

In his monumental ANATOMY OF MELANCHOLY, published in 1621, ROBERT BURTON argued for, among other things, music as a remedy for melancholy. It might work.
by David McGee
 
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Pleasures Of Music

The Fisk Jubilee Singers: Working On a Building

In 1871 the JUBILEE SINGERS of Nashville toured the northern states in hopes of raising funds to build a college. Bucking daunting odds against them, they succeeded and made Fisk University possible.
by David McGee
 
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Pleasures Of Music

‘A Man to Evoke Respect and Love Under All Conditions’

From his 1899 book FAMOUS VIOLINISTS OF TO-DAY AND YESTERDAY, HENRY C. LAHEE offers a balanced profile of Norway's violin virtuoso OLE BULL, replete with musical excerpts.
by David McGee
 
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Pleasures Of Music

Chopin a National Poet

FRÉDÉRIC CHOPIN a National Poet? FRANZ LISZT thought so, and explained why in an 1852 essay that begat a biography of the great Romantic composer.
by David McGee
 
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Pleasures Of Music

The ‘Superhuman’ Voice of Pauline Viardot

Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
by David McGee
 
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Pleasures Of Music

The Paris of Berlioz and Liszt

Writing in 1837, acclaimed German poet HEINRICH HEINE filed a report on 'the two most remarkable phenomena in the contemporary musical world,' i.e., BERLIOZ and LISZT.
by David McGee
 
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Pleasures Of Music

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
 
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Pleasures Of Music

The Women Composers

In 'The Women Composers,' from his book Contemporary American Composers, published in 1900, RUPERT HUGHES, M.A. makes the case for women composers being the equal of male composers as the 20th century dawned. Featuring AMY BEAC...
by David McGee
 
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Pleasures Of Music

Mendelssohn’s ‘Hymn of Praise’

GEORGE P. UPTON examines the life of FELIX MENDELSSOHN and the story behind the great composer's Symphony No. 2 ('Hymn of Praise').
by David McGee
 
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