A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...
by David McGee
 

 
 

Randall Goosby: Style, Soul, Virtuosity

Young violinist RANDALL GOOSBY's debut album, ROOTS, is one of this year's most exciting classical music events. Herewith a sampling of the across-the-board plaudits album and artist alike are receiving for this most striking r...
by David McGee
 

 

 

The (Continuing) Resurrection of Florence Price

Paying loving tribute to pioneering African American composer FLORENCE PRICE, acclaimed pianist SAMANTHA EGE offers FANTASIE NEGRE: THE PIANO MUSIC OF FLORENCE PRICE. Review by ROBERT HUGILL.
by David McGee
 

 
 

Being About an Instrument ‘At Once Familiar and Unknown’

In ART OF THE MANDOLIN, AVI AVITAL offers a perspective on 300 years of music composed specifically for his instrument of choice. A range of perspectives--via reviews, interviews and first-person observations-help explain the a...
by David McGee
 

 

 

The Indefatigable George McPhee

The PAISLEY ABBEY CHOIR, with Director GEORGE. MCPHEE, offers the first outstanding choral album of 2021 in A CELTIC PRAYER, a program of choral and organ pieces by Scottish composers of contemporary and 20th Century Scottish s...
by David McGee
 

 
 

Half-Lights and Misty Streetscapes

'HALF LIGHTS and MISTY STREETSCAPES': ROBERT HUGILL reviews two introspective, atmospheric, haunting gems: pianist-composer MELISSA PARMENTER's MESSAPICA and the intriguing ECHO COLLECTIVE's THE SEE WITHIN.
by David McGee
 

 

 

Guitar Majesty

A set of delightfully evocative pieces for guitar duos composed by KEMAL BELEVI comprises a fine new album by DUO TANDEM, incisively reviewed by ROBERT HUGILL
by David McGee
 

 
 

An Influential Recording Returns, And Then Some

Under the direction of JOHN RUTTER, the CAMBRIDGE SINGERS bring fresh vitality to works by SIR CHARLES VILLIERS STANFORD and HERBERT HOWELLS in an expanded reissue of a 1992 classic, STANFORD AND HOWELLS REMEMBERED.
by David McGee
 

 

 

Recovered: The Music of Monteverdi’s Teacher

Not just Monteverdi's teacher: the CHOIR OF GIRTON COLLEGE, CAMBRIDGE, explores the sacred music of MARC'ANTONIO INGEGNERI. ROBERT HUGILL reviews.
by David McGee
 

 
 

‘A Particular Anarchic Brand of Music Theater’

In the spirit of The Residents, London's BASTARD ASSIGNMENTS make their album debut with 'a particular anarchic brand of music theater,' according to our ROBERT HUGILL. Read on....
by David McGee
 

 

 

Nature as The Ultimate Matchmaker

THE NORTH WIND WAS A WOMAN, comprised of three intriguing chamber works by DAVID BRUCE, features stirring mandolin work by AVI AVITAL. Review by ROBERT HUGILL.
by David McGee
 

 
 

France’s Ever-Visceral Harpsichord Legacy

'These are not performances that conjure ghosts of the past: harpsichordist ADAM PEARL reveals that this music lives as viscerally today as it did two-and-a-half centuries ago.
by David McGee