Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
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Classical Perspectives

The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.
by David McGee
 
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Border Crossings

She’s Got Hand

Born in Vietnam, now residing in the U.S., VAN-ANH VANESSA VO employs her country's traditional instruments in compelling fashion on her new album, THREE-MOUNTAIN PASS.
by David McGee
 
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Classical Perspectives

Aesthetically Unified as One Romantic Brotherhood

On RHEINMÄDCHEN, France's all-female vocal chorus ENSEMBLE PYGMALION, conducted by RAPHAEL PICHON, assays, with an invigorating twist, Wagner, Schubert, Schumann, Johannes Brahms and others.
by David McGee
 
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Pleasures Of Music

Mendelssohn’s ‘Hymn of Praise’

GEORGE P. UPTON examines the life of FELIX MENDELSSOHN and the story behind the great composer's Symphony No. 2 ('Hymn of Praise').
by David McGee
 
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Departments

‘A Perfect Blue-White Diamond, And Just As Rare’

Remembering the silver screen's, and one of the 20th Century's, greatest vocalists, DEANNA DURBIN, 1921-2013, plus a guide to her essential recordings on CD.
by David McGee
 
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Seven Impossible Things Before Breakfast

Timeless Topics: Home and Spring

A double-shot of 7 Imp this time around: in 'A NEW HOME,' we see 'the common humanity in two cultures on two different spots in the map'; and in BLOOM BOOM! we celebrate the flowering, if you will, of spring!
by David McGee
 
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Spotlight Album

Out of Nowhere, Making a Joyful, and Most Memorable, Noise

Out of St. Louis and in the spirit of The Goat Rodeo Sessions, The Punch Brothers and Mark O'Connor, The 442s have made a joyful, and most memorable, noise on their debut album.
by David McGee
 
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Pleasures Of Music

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
 
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