Deep Roots Magazine

Deep Roots Magazine

Roots Music and Meaningful Matters

 
 

 
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Musical Memories

From his MUSICAL MEMORIES memoir, CAMILLE SAINT-SAENS reflects on the legacy and standing of his Romantic-era contemporary, M. JULES MASSENET
by David McGee
 

 
 
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Chopin a National Poet

FRÉDÉRIC CHOPIN a National Poet? FRANZ LISZT thought so, and explained why in an 1852 essay that begat a biography of the great Romantic composer.
by David McGee
 

 

 
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The Women Composers

In 'The Women Composers,' from his book Contemporary American Composers, published in 1900, RUPERT HUGHES, M.A. makes the case for women composers being the equal of male composers as the 20th century dawned. Featuring AMY BEAC...
by David McGee
 

 
 
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‘Unaccountably Odd’

'Unaccountably Odd': a musical and sexual adventurer, possibly a racist, and a composer ahead of his time, PERCY GRAINGER led a most unusual life, and now lives on in a new album by the BILDER DUO. A reconsideration is in order.
by David McGee
 

 

 
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The Passionate Style

Italian composer, gambist, and singer Claudio Giovanni Monteverdi is often regarded as revolutionary in that his work marked the transition from the Renaissance style of music to that of the Baroque period. He developed two ind...
by David McGee
 

 
 
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A Day With Robert Schumann

IN this month's PLEASURES OF MUSIC, an 1884 report by May Byron on A DAY WITH ROBERT SCHUMANN. In this account, the author chronicles a day spent with the arch-Romantic composer, which includes some vivid scenes with Schumann's...
by David McGee
 

 

 
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The Paris of Berlioz and Liszt

Writing in 1837, acclaimed German poet HEINRICH HEINE filed a report on 'the two most remarkable phenomena in the contemporary musical world,' i.e., BERLIOZ and LISZT.
by David McGee
 

 
 
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Beethoven’s Day

Composer RICHARD WAGNER was always quick to dash off polemics on various subjects. He first wrote about BEETHOVEN in 1840, and returned to interpret the master's C-Sharp Minor String Quartet in 1870 during the Beethoven Centena...
by David McGee
 

 

 
mozart featured

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee