Deep Roots Magazine

 
 

 
Classical Perspectives

Fifty Shades Stokes Interest in Early Music–But for How Long?

In we attempt to answer the penetrating question: Will the current revival of interest in early music via Fifty Shades of Grey: The Classical Album retain its tumescence even after the trilogy’s commercial fortunes have gone ...
by David McGee
 
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Classical Perspectives

Shakespeare’s Ophelia Finds a New Voice

SHAKESPEARE didn't give Hamlet's Ophelia near the complexity and substance HANS ABRAHAMSEN and BARBARA HANNIGAN bring to her character in LET ME TELL YOU.
by David McGee
 
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Classical Perspectives

Randall Goosby: Style, Soul, Virtuosity

Young violinist RANDALL GOOSBY's debut album, ROOTS, is one of this year's most exciting classical music events. Herewith a sampling of the across-the-board plaudits album and artist alike are receiving for this most striking r...
by David McGee
 
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Classical Perspectives

A Search for Unity Within the Miraculous

Ireland's LOUTH CONTEMPORARY MUSIC SOCIETY has one of the year's most intriguing new releases in IN SEARCH OF THE MIRACULOUS, which mirrors George Gurdjieff's populist, pan-global approach to spiritual teaching.
by David McGee
 
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Classical Perspectives

The Mesmerizing World of Music in 16th Century Convents

The mysterious world of 16th century convent music comes alive in MUSICAL SECRETA's LUCREZIA BORGIA'S DAUGHTER, comprised of motets published anonymously in Venice in 1543.
by David McGee
 
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Classical Perspectives

The Right Touch

FLORENCE PRICE and MAX BRUCH violin concertos memorably interpreted by RANDALL GOOSBY, YANNICK NEZET-SEGUIN and the PHILADELPHIA ORCHESTRA
by David McGee
 
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Classical Perspectives

Lara St. John and Friends Do Schubert Right

The talented eccentric, LARA ST. JOHN, is back with a group of formidable friends with a 'Schubertiade,' an exciting exploration of 15 tunes written by Schubert and scintillatingly rendered on disc.
by David McGee
 
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Classical Perspectives

France’s Ever-Visceral Harpsichord Legacy

'These are not performances that conjure ghosts of the past: harpsichordist ADAM PEARL reveals that this music lives as viscerally today as it did two-and-a-half centuries ago.
by David McGee
 
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Classical Perspectives

Senza pedale ma con tanti colori

WITHOUT THE PEDAL BUT WITH PLENTY OF COLORS: in his self-penned essay the towering classical pianist András Schiff discusses the challenges and nuances of J.S. Bach's music poses for the contemporary musician.
by David McGee
 
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Classical Perspectives

Border Patrol

On AMERICANO Classical guitar giant PABLO VILLEGAS ranges from Venezuela to Mexico, from Paraguay to the Bayou, from Broadway to the rural South in celebrating the music of all the Americas.
by David McGee
 
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Classical Perspectives

A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...
by David McGee
 
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Classical Perspectives

Bach by Thile (Not Thile Does Bach)

It was inevitable: after flirting with Bach for his entire professional career, CHRIS THILE has released a solo album of the Baroque giant's Sonatas & Partitas. Reviewer CHRSITINE N. LAYTON hails it as a big winner.
by David McGee
 
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