Salt of the Earth (1954)

In 1954 a group of blacklisted filmmakers made the first blacklisted film in American history, SALT OF THE EARTH. Centered on a strike by Mexican-American workers in New Mexico, it is ever more timely now.
by David McGee
 

 
 

Where Hearts Beat as One

On their new album, FASTER AND FARTHER, DARIN and BROOKE ALDRIDGE are metaphorically flying on a collection of songs about love and loss, including IAN TYSON's 'Someday Soon.'
by David McGee
 

 

 

Music of a Forgotten Master

On his new disc, DANIEL GRIMWOOD offers the piano works of ADOLF VON HENSELT, a forgotten master whose music 'breathes the same air as that of Chopin and Liszt,' says ROBERT HUGILL.
by David McGee
 

 
 

NASA’s Fermi Discovers the Most Extreme Blazars Yet

NASA's Fermi Gamma-ray Space Telescope has identified the farthest gamma-ray blazars, a type of galaxy whose intense emissions are powered by supersized black holes.
by David McGee
 

 

 

A Great Storm in Utah

From his collections of essay published in 1819, JOHN MUIR recounts 'A Storm in Utah,' and proves himself as insightful about the 'salt Latter Days' as he is poetic about the forces of nature.
by David McGee
 

 
 

On The Street Where She Lived

Continuing to advance the art of jazz harp and her own compositional skills, CAROL ROBBINS is joined by Billy Childs' Jazz Chamber Ensemble and others on nine cool new tunes on TAYLOR STREET.
by David McGee
 

 

 

Planting Seeds in The Wild

Trumpian turbulence and an inner spiritual journey fuel CARY MORIN's arresting new collection of solo acoustic fingerpicked beauties, including a triumphant anthem for the Standing Rock protests.
by David McGee
 

 
 

Tippi Hedren: Birds, Big Cats And Hitchcock

Actress TIPPI HEDREN had, at least, a complicated relationship with ALFRED HITCHCOCK, and for a few decades now has had a complicated relationship with big cats. A revealing interview by Duncan Strauss.
by David McGee
 

 

 

Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee