The Warmth of Arctic Saxophone

Haunting and beautiful, ARCTIC SAXOPHONE, by Norway's Ola Asdahl Rokkones, is an unforgettable experience.
by David McGee
 

 
 

Blustery Days? Only Enchantment Here.

Enchanted Places: The Complete Fraser-Simpson Settings of A.A. Milne, joins the burgeoning portfolio of Milne poems set to music.
by David McGee
 

 

 

Of Heartbreak and Loss, 17th Century-Style

Countertenor RANDALL SCOTTING and lutenist STEPHEN STUBBS expressively offer songs of heartbreak and loss from yore.
by David McGee
 

 
 

Wherein Byzantine Chant Meets Sarum Liturgy

CAPPELLA ROMANA uses its 30th album to honor a little-known occasion when the Byzantine Emperor celebrated Christmas at the English court in Eltham, circa 1400 A.D.
by David McGee
 

 

 

New Version of Ukrainian Carol Supports Refugee Center

A joint effort by composer ROXANNA PANUFNIK and Signum Classics to raise funds for the U.K.-based REFUGEE CENTER
by David McGee
 

 
 

Where Grief and Anger Share Space

This new disc from Toccata Classics features chamber music by the young composer Noah Max and exudes, as one critic notes, 'a sense of loss pervading almost everything here.' Yet, it's not a downer.
by David McGee
 

 

 

Evoking Afternoons in 17th Century Hereford

Composer Matthew Locke was born 400 years ago this year, and to mark this occasion the British viol consort FRETWORK are marking the happy occasion with an album featuring seven of Locke's suites that have hitherto barely made ...
by David McGee
 

 
 

A Composer Reclaims His Faith

Classical editor ROBERT HUGILL considers CALUM BUILDER's 'Messe (You Are Where You Want to Be), a work which deconstructs the Latin mass to explore the composer's own journey, deconstructing and reconstructing his relationship ...
by David McGee
 

 

 

A Fresh Perspective on the ‘African Mahler’

CATALYST QUARTET, a young American ensemble, explores the chamber music of SAMUEL COLERIDGE-TAYLOR, works whose sophistication belies their early date
by David McGee