BOB MAROVICH’S GOSPEL PICKS

In BOB MAROVICH's spotlight this month: bridges over troubled waters from ISAAC CARREE, MICHELLE DAVID, MIGHTY MEN OF FAITH, JOHN LEE HOOKER JR. and THE LEGENDARY BEYONS.
by David McGee
 

 
 

Bob Marovich’s Gospel PIcks

A collection of gospel gems from veteran and new artists alike, including GLORIA GAYNOR's towering 'Testimony'; THE MANY's 'Love>Fear'; a reissue of REBA RAMBO's acclaimed 'Lady'; RENEE SPEARMAN's 'I Love Him,' and others.
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Outstanding--and different--gospel picks from BOB MAROVICH, including new CDs by ABSOLUTION, ZION'S JOY, ELSA HARRIS, SANCTIFIED SOUL, FAITHFUL CONNECTION and others.
by David McGee
 

 
 

Leaving the Stillness of Peace in Its Wake

The first essential reissue of 2019, the French import ROBERTA MARTIN SINGERS: 1947-1962 charts the gold standard early years of this most influential African American mixed-voice gospel ensemble.
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Seven potent new gospel releases appraised by BOB MAROVICH, including WILLIAM MURPHY, CASEY J, PHILLIP CARTER, GOLDEN GATE QUARTET, THE TOMMIES, THE RECORD COLLECTIVE and JESSICA DALLA TORRE.
by David McGee
 

 
 

Bob Marovich’s Gospel Picks

BOB MAROVICH finds another gospel treasure trove in new CDs from the WARDLAW BROTHERS, SWEETEVERAFTER, RENEE AUSTIN and others.
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Our gospel editor's picks include another stellar outing from PAUL THORN, the return of JENNIFER SHAW and a sweet collection of gospel violin from DANIEL D.
by David McGee
 

 
 

‘Snoop, Let’s Take ’em To Church!’

SNOOP DOGG promised his new label would offer opportunities for gospel artists, and he delivers, mightily, on that promise on SNOOP DOGG PRESENTS BIBLE OF LOVE
by David McGee
 

 

 

Bob Marovich’s Gospel Picks

Reviews of powerful new gospel albums from ROYCE LOVETT, NATASHA OWENS, NICHOLE NORDEMAN, DERRICK 'DOC' PEARSON, DEVIN WILLIAMS, ADAM EVERETT, WORLD CHURCH UNITES. BOB MAROVICH appraises the lot.
by David McGee