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Prokofiev, Conflicted: Great Composer or Great Compromiser?

SERGEI PROKOFIEV was a great composer, but was he also a great compromiser when it came to bowing to the demands of the Soviet regime, which viewed him as a threat to the people?
by David McGee
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Music a Remedy

In his monumental ANATOMY OF MELANCHOLY, published in 1621, ROBERT BURTON argued for, among other things, music as a remedy for melancholy. It might work.
by David McGee
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The Fisk Jubilee Singers: Working On a Building

In 1871 the JUBILEE SINGERS of Nashville toured the northern states in hopes of raising funds to build a college. Bucking daunting odds against them, they succeeded and made Fisk University possible.
by David McGee
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‘A Man to Evoke Respect and Love Under All Conditions’

From his 1899 book FAMOUS VIOLINISTS OF TO-DAY AND YESTERDAY, HENRY C. LAHEE offers a balanced profile of Norway's violin virtuoso OLE BULL, replete with musical excerpts.
by David McGee
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Chopin a National Poet

FRÉDÉRIC CHOPIN a National Poet? FRANZ LISZT thought so, and explained why in an 1852 essay that begat a biography of the great Romantic composer.
by David McGee
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The ‘Superhuman’ Voice of Pauline Viardot

Pauline Garcia Viardot (1821-1910) was one of the 19th century’s most versatile and influential opera stars. In his book 'Musical Memories,' CAMILLE SAINT-SAENS provides the most in-depth profile extant of Mme. Viardot.
by David McGee
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The Paris of Berlioz and Liszt

Writing in 1837, acclaimed German poet HEINRICH HEINE filed a report on 'the two most remarkable phenomena in the contemporary musical world,' i.e., BERLIOZ and LISZT.
by David McGee
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Mozart’s ‘Requiem’

'Requiem,' Mozart's final masterpiece, was written in late 1791, while the composer lay dying. In 1893 George P. Upton published this detailed account of the composition's creation.
by David McGee
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The Women Composers

In 'The Women Composers,' from his book Contemporary American Composers, published in 1900, RUPERT HUGHES, M.A. makes the case for women composers being the equal of male composers as the 20th century dawned. Featuring AMY BEAC...
by David McGee
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Mendelssohn’s ‘Hymn of Praise’

GEORGE P. UPTON examines the life of FELIX MENDELSSOHN and the story behind the great composer's Symphony No. 2 ('Hymn of Praise').
by David McGee
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Claudio Monteverdi (15 May 1567-29 November 1643): ‘I found as subject for my music the two contrary passions of battle and prayer on the point of death.’

The Passionate Style

Italian composer, gambist, and singer Claudio Giovanni Monteverdi is often regarded as revolutionary in that his work marked the transition from the Renaissance style of music to that of the Baroque period. He developed two ind...
by David McGee
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Caruso on The Art of Singing

ENRICO CARUSO holds forth on the ART OF SINGING in an excerpt from a 1909 collection of h is public utterances on his art. The wealth of embedded videos include the 1918 silent film MY COUSIN, featuring the great singer in a du...
by David McGee
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